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para guitarra com guia
Título por Autor: Bifocal Rag – guitar duet
Instrumentação |
Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
1'34 |
A fun duo for guitars, with a little bit of bitonality thrown in.
The sound sample is a recording by Bruce Paine, multitracking with himself.
For flute quartet (2 flutes, 1 alto flute, 1 bass flute)
Título por Autor: Bifocal Rag for flute quartet (2 flutes, 1 alto flute, 1 bass flute)
Instrumentação |
Flauta, Alto Flute, Flauta baixo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear
- make sure they are not misinterpreted as triplets!).
For high flute quartet (1 piccolo, 2 flutes, 1 alto flute)
Título por Autor: Bifocal Rag for high flute quartet (1 piccolo, 2 flutes, 1 alto flute)
Instrumentação |
Flauta, Flauta piccolo, Alto Flute |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear
- make sure they are not misinterpreted as triplets!).
For strings or string quartet
Título por Autor: Bifocal Rag for strings or string quartet
Instrumentação |
Violino, Viola, Violoncelo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
The sound sample is performed by London Strings at Angel Studios in Islingto, London
para quarteto de saxofone
Título por Autor: Bifocal Rag for saxophone quartet
Instrumentação |
Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
Para quarteto de sopro
Título por Autor: Bifocal Rag for wind quartet
Instrumentação |
Flauta, Clarinete, Fagote, Oboé |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
For clarinet quartet (1 E-flat, 2 B-flats and 1 Bass)
Título por Autor: Bifocal Rag for clarinet quartet (1 E-flat, 2 B-flats and 1 Bass)
Instrumentação |
Clarinete, Clarinete baixo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets. It is called "bifocal" because of the brief bitonal effect in various places. The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
For clarinet quartet (E-flat, B-flat, Alto and Bass)
Título por Autor: Bifocal Rag for clarinet quartet (E-flat, B-flat, Alto and Bass)
Instrumentação |
Clarinete, Clarinete baixo, Clarineta Alto |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets. It is called "bifocal" because of the brief bitonal effect in various places. The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
For clarinet quartet (3 B-flats and 1 Bass)
Título por Autor: Bifocal Rag for clarinet quartet (3 B-flats and 1 Bass)
Instrumentação |
Clarinete, Clarinete baixo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'10 |
Ano de composição |
2016 |
Gênero |
Jazz/Ragtime |
A quirky ragtime originally written for guitar duo (also available on this site), now arranged for various instrumental quartets.
It is called "bifocal" because of the brief bitonal effect in various places.
The rhythm switches gently from 4/4 to 3 3 2 /8 from time to time (when it does I have grouped the notes in 3s and 2s to make it clear - make sure they are not misinterpreted as triplets!).
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