| |
Партитура
Название пользователя: Кантата 'Я стою одной ногой в могиле', BWV 156
Инструменты |
Клавесин, Гобой, Скрипка, Альт, Сопрано, Контральто, Тенор, Бас, Смешанный хор |
Состав исполнителей |
Солисты, Хор, Камерный оркестр |
Тип нот |
Партитура |
Тональность |
Фа мажор |
Издатель |
Bach-Gesellschaft Ausgabe |
Язык |
Немецкий |
Уровень сложности |
Выше среднего |
Клавир с вокальной партией
Название пользователя: Кантата 'Я стою одной ногой в могиле' (для хора и фортепиано), BWV 156
Инструменты |
Фортепиано, Контральто, Тенор, Бас, Смешанный хор |
Состав исполнителей |
Солисты, Аккомпанирующее фортепиано, Хор |
Тип нот |
Клавир с вокальной партией |
Тональность |
Фа мажор |
Издатель |
Breitkopf und Härtel |
Язык |
Английский, Немецкий |
Уровень сложности |
Выше среднего |
Клавир с вокальной партией
Название пользователя: Ich steh mit einem Fuss im Grabe, BWV 156
Инструменты |
Фортепиано, Смешанный хор, Голос |
Тип нот |
Клавир с вокальной партией |
Язык |
Немецкий |
Жанр |
Классика/Хоровая музыка |
Arranged for cello quartet
Название пользователя: Sinfonia from 'Ich Steh Mit Einem Fuß im Grabe' (Arranged for Cello Quartet), BWV 156
Инструменты |
Виолончель, Контрабас |
Состав исполнителей |
Квартет |
Тип нот |
Партитура, Партии |
Тональность |
Фа мажор |
Аранжировщик |
Bloux Note Music |
Издатель |
Bloux Note Music |
Уровень сложности |
Очень легко |
Время звучания |
2'10 |
Год создания |
1729 |
Жанр |
Классика/Камерная музыка |
"Sinfonia" from "Ich Steh Mit Einem Fuß im Grabe", BWV 156 by Johann Sebastian Bach arranged for Cello Quartet.
This piece is part of the Gig Series, and has been arranged in a manner allowing for a wider range of groups to perform it. The intention of this line of arrangements is to allow any group at a high school level or above to play fun, quality music. All parts are written in bass clef, and no notes above A4 are required of any players. Some parts may occasionally have ossia passages notated that are more difficult, but these are optional
This arrangement is not currently part of any compilation.
Though this arrangement is for cello quartet, an optional double bass part has been included should a player be available.
Currently, there are no other arrangements of this piece available from Bloux Note Music.
Purchase of this arranement includes:
Full Score (2 pages)
Cello I (1 page)
Cello II (1 page)
Cello III (1 page)
Cello IV (1 page)
Double Bass (1 page)
Arioso, for guitar
Название пользователя: Arioso from Sinfonia, BWV 156
Инструменты |
Классическая гитара |
Состав исполнителей |
Соло |
Тип нот |
Для одного исполнителя |
Тональность |
Соль мажор |
Части |
1 до 1 из 1 |
Аранжировщик |
Donald Sade |
Издатель |
Donald Sade |
Уровень сложности |
Средний уровень |
Время звучания |
1'20 |
Год создания |
2013 |
Жанр |
Классика |
The Arioso (Sinfonia) from J. S. Bach’s Cantata (BWV 156) has been transcribed for many combinations of instruments, and for many solo instruments, including guitar. This transcription, for classical guitar, is based on the Neue Ausgabe Sämtlicher Werke published in 1996 by the Johann-Sebastian-Bach Institut Göttingen and the Bach-Archiv Leipzig (Bärenriter, Kassel). This edition is based on manuscripts from the 18th and 19th century, not in J. S. Bach’s handwriting, and is scored for Oboe, Violins I and II, Viola, and Violone or Organ continuo in F major. In the transcription for Guitar I tried to preserve the sense of the continuo and the inner parts in a single bass line as far as the limited octave range of the Guitar allowed. The transcription is transposed to G major, a friendlier key for guitar. The original Arioso is one movement of a larger work and ends on the dominant chord, but because the Guitar transcription is intended as a complete piece in itself I resolve it to the tonic.
Arioso, for guitar
Название пользователя: Sinfonia (Arioso) from Cantata, BWV 156
Инструменты |
Классическая гитара |
Состав исполнителей |
Соло |
Тип нот |
Для одного исполнителя |
Аранжировщик |
Marco Sgura |
Издатель |
Marco Sgura |
Уровень сложности |
Выше среднего |
Жанр |
Классика |
[Arr. for Guitar]
Ариозо, для гобоя
Название пользователя: Ариозо (Адажио соль минор), BWV 156
Инструменты |
Гобой |
Состав исполнителей |
Соло |
Тип нот |
Для одного исполнителя |
Жанр |
Классика/Ария |
Одна из самых известных песен Баха, Ариозо, соло на гобое, открывающее кантату Баха. BWV 156. Эта партитура подходит для всех мелодических инструментов: гобоя, скрипки, флейты.
Arioso, for quintet recorders
Название пользователя: Arioso from J. S. Bach's Cantata, BWV 156
Инструменты |
Блокфлейта тенор, Блокфлейта сопрано, Блокфлейта альт, Блокфлейта бас, Блокфлейта большой бас |
Состав исполнителей |
Квинтет |
Тип нот |
Партитура, Партии |
Тональность |
Фа мажор |
Аранжировщик |
Annie Helman |
Издатель |
Annie Helman |
Уровень сложности |
Средний уровень |
Время звучания |
2'30 |
Год создания |
2019 |
Жанр |
Классика/Ария |
This marvellous aria is also known as Adagio in G. I have, however, trasnposed it to F so as to simplify the recorder playing.
I have arranged it for SATBGb recorder quintet. The entire score, as well as each part separately, are all included here in the PDF. Also included is the greatbass part in both bass and treble clefs, as many players find the treble easier to read.
Hope you enjoy!
Arioso, for guitar
Название пользователя: J. S. Bach - Arioso (from Cantata 156)
Инструменты |
Классическая гитара |
Состав исполнителей |
Соло |
Тип нот |
Для одного исполнителя |
Тональность |
Соль мажор |
Аранжировщик |
Erisvaldo Borges |
Издатель |
Erisvaldo Borges |
Уровень сложности |
Выше среднего |
Время звучания |
3'46 |
Жанр |
Классика/Пьеса |
Esta partitura é um arranjo livre para violão solo do Arioso da Cantata 156, de Johann Sebastian Bach.
Arioso, für BassBlockflöte
Название пользователя: Arioso, BWV 156
Инструменты |
Блокфлейта бас |
Состав исполнителей |
Соло |
Тип нот |
Для одного исполнителя |
Тональность |
Соль мажор |
Аранжировщик |
Othmar Endelweber |
Издатель |
Othmar Endelweber |
Уровень сложности |
Сложно |
Время звучания |
4'50 |
Жанр |
Классика |
aus der Kantate BWV 156
Arioso, für querflöte und klavier
Название пользователя: J. S. Bach – Arioso für Querflöte und Klavier, BWV 156
Инструменты |
Фортепиано, Клавесин, Орган, Флейта, Арфа |
Состав исполнителей |
Дуэт |
Тип нот |
Партитура для двух исполнителей, Сольная партия |
Тональность |
Соль мажор |
Издатель |
Helena Schulthess |
Уровень сложности |
Выше среднего |
Жанр |
Классика/Инструментальная |
Dieses berühmte Arioso stammt aus der Kantate "Ich steh mit einem Fuss im Grabe", BWV 156. Es wurde für Oboe komponiert.
Dieselbe Melodie kommt auch im Cembalokonzert in f-moll, BWV 1056 vor. In diesem Konzert als Mittelsatz "Largo" in As-Dur komponiert.
Bearbeitung für Flöte und Klavier (Orgel, Cembalo, Harfe)
Arioso, für posaune
Название пользователя: Bach Arioso, BWV 156
Инструменты |
Тромбон |
Тип нот |
Для одного исполнителя |
Аранжировщик |
Christoph |
Издатель |
Christoph |
Уровень сложности |
Средний уровень |
Год создания |
2019 |
Жанр |
Классика/Пьеса |
Arioso, for tenor recorder and guitar
Название пользователя: Arioso, BWV 156
Инструменты |
Блокфлейта тенор, Классическая гитара |
Состав исполнителей |
Дуэт |
Тип нот |
Партитура для двух исполнителей, Сольная партия |
Аранжировщик |
Othmar Endelweber |
Издатель |
Othmar Endelweber |
Уровень сложности |
Выше среднего |
Время звучания |
2'40 |
Жанр |
Классика |
aus der Kantate "Ich steh' mit einem Fuß im Grabe", BWV 156
Nr.1 Sinfonia, für Klavier
Инструменты |
Фортепиано |
Жанр |
Классика |
No.1 I Stand At The Threshold for Alto Clarinet & Piano
Название пользователя: Bach: I Stand At The Threshold for Alto Clarinet and Piano, BWV 156
Инструменты |
Фортепиано, Альт-кларнет |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Alto Flute & Piano
Название пользователя: Bach: I Stand At The Threshold for Alto Flute and Piano, BWV 156
Инструменты |
Фортепиано, Альтовая флейта |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Alto Sax & Piano
Название пользователя: Bach: I Stand At The Threshold for Alto Sax and Piano, BWV 156
Инструменты |
Фортепиано, Саксофон альт |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Clarinet & Piano
Название пользователя: Bach: I Stand At The Threshold for Clarinet and Piano, BWV 156
Инструменты |
Фортепиано, Кларнет |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Flute & Piano
Название пользователя: Bach: I Stand At The Threshold for Flute and Piano, BWV 156
Инструменты |
Фортепиано, Флейта |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for French Horn & Piano
Название пользователя: Bach: I Stand At The Threshold for French Horn and Piano, BWV 156
Инструменты |
Фортепиано, Валторна |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
French Horn and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Oboe & Piano
Название пользователя: Bach: I Stand At The Threshold for Oboe and Piano, BWV 156
Инструменты |
Фортепиано, Гобой |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Oboe d'Amore & Piano
Название пользователя: Bach: I Stand At The Threshold for Oboe d'Amore and Piano, BWV 156
Инструменты |
Фортепиано, Гобой д’амур |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe d'Amore and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Piccolo & Piano
Название пользователя: Bach: I Stand At The Threshold for Piccolo and Piano, BWV 156
Инструменты |
Фортепиано, Флейта пикколо |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Piccolo and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Soprano Sax & Piano
Название пользователя: Bach: I Stand At The Threshold for Soprano Sax and Piano, BWV 156
Инструменты |
Фортепиано, Саксофон сопрано |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Soprano Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Trombone & Piano
Название пользователя: Bach: I Stand At The Threshold for Trombone and Piano, BWV 156
Инструменты |
Фортепиано, Тромбон |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Trombone and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Cello & Piano
Название пользователя: Bach: I Stand At The Threshold for Cello and Piano, BWV 156
Инструменты |
Фортепиано, Виолончель |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Cello and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Violin & Piano
Название пользователя: Bach: I Stand At The Threshold for Violin and Piano, BWV 156
Инструменты |
Фортепиано, Скрипка |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Violin and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Viola & Piano
Название пользователя: Bach: I Stand At The Threshold for Viola and Piano, BWV 156
Инструменты |
Фортепиано, Альт |
Состав исполнителей |
Соло, Аккомпанирующее фортепиано |
Тип нот |
Партитура для двух исполнителей, Партии |
Издатель |
Jmsgu3 Publications |
Уровень сложности |
Средний уровень |
Время звучания |
2'50 |
Жанр |
Классика/Ария |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Viola and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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Ноты 28
- Партитура
- Клавир с вокальной партией
- Клавир с вокальной партией
- Arranged for cello quartet
- Arioso, for guitar
- Arioso, for guitar
- Ариозо, для гобоя
- Arioso, for quintet recorders
- Arioso, for guitar
- Arioso, für BassBlockflöte
- Arioso, für querflöte und klavier
- Arioso, für posaune
- Arioso, for tenor recorder and guitar
- Nr.1 Sinfonia, für Klavier
- No.1 I Stand At The Threshold for Alto Clarinet & Piano
- No.1 I Stand At The Threshold for Alto Flute & Piano
- No.1 I Stand At The Threshold for Alto Sax & Piano
- No.1 I Stand At The Threshold for Clarinet & Piano
- No.1 I Stand At The Threshold for Flute & Piano
- No.1 I Stand At The Threshold for French Horn & Piano
- No.1 I Stand At The Threshold for Oboe & Piano
- No.1 I Stand At The Threshold for Oboe d'Amore & Piano
- No.1 I Stand At The Threshold for Piccolo & Piano
- No.1 I Stand At The Threshold for Soprano Sax & Piano
- No.1 I Stand At The Threshold for Trombone & Piano
- No.1 I Stand At The Threshold for Cello & Piano
- No.1 I Stand At The Threshold for Violin & Piano
- No.1 I Stand At The Threshold for Viola & Piano
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