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Fantasia and Fugue in C Minor, BWV 906

Classical/Fugue
 
 
   
 

For piano

Title by uploader: Fantasia and Fugue in C Minor (Fugue Unfinished), for Piano, BWV 906


Free

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PDF, 705.9 Kb ID: SM-000042838 Upload date: 25 Oct 2010
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
C minor
Arranger
Ferruccio Busoni
Difficulty
Advanced
Genre
Classical/Arrangement
Fugue Completed by Busoni
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Fantasia

Title by uploader: Fantasia und Fuge in C Minor. Fantasia, BWV 906


Free

Uploader Library
PDF, 332.4 Kb ID: SM-000015582 Upload date: 26 Mar 2010
Instrumentation
Harpsichord
Scored for
Solo
Type of score
For a single performer
Key
C minor
Publisher
Bach-Gesellschaft Ausgabe
Difficulty
Advanced
Genre
Classical/Piece
  • Comments

For harpsichord

Title by uploader: Fantasia und Fuge in C Minor for Harpsichord (Fugue Unfinished), BWV 906


Free

Uploader Library
PDF, 477.2 Kb ID: SM-000037238 Upload date: 20 Sep 2010
Instrumentation
Harpsichord
Scored for
Solo
Type of score
For a single performer
Key
C minor
Difficulty
Advanced
  • Comments

Fantasia, for piano

Printable sheet music file, 1 copy • 4 pages, ID: SM-000558297
4.99
 
USD
Instrumentation
Piano
Genre
Classical
  • Comments

Fugue, for piano

Title by uploader: J. S. Bach Fuge in c-moll (unvollendet, ergänzt von Thomas Uhlmann), BWV 906


5.00 USD

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5.00 USD

PDF, 557.7 Kb ID: SM-000595199 Upload date: 28 Dec 2023
Instrumentation
Piano
Scored for
Solo
Type of score
For a single performer
Key
C minor
Movement(s)
2 to 2 from 2
Arranger
Thomas Uhlmann
Difficulty
Advanced
Duration
6'45
Year of composition
2022
Zur berühmten Fantasie in c-moll BWV 906 sollte ursprünglich ein Fuge gehören. Das Bach'sche Autograph bricht aber bei Takt 46 ab und die Fuge blieb unvollendet. Nach intensiver Beschäftigung mit dem vorliegenden Notentext habe ich die Fuge ergänzt, indem ich zunächst die Umkehrung des Themas einführte, die sich dann im Wechsel mit Varianten der vorherigen Zwischenspiele perfekt mit dem ursprünglichen Themenmaterial kombinieren ließ.
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