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For oboe and cembalo (or piano)
Title by uploader: Albinoni - Oboe Concerto No.8 in G minor for Oboe and Cembalo (or Piano), Op.9
Instrumentation |
Harpsichord, Oboe |
Scored for |
Solo, Accompanying piano |
Type of score |
Score for two performers, Solo part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Santino Cara |
Publisher |
Santino Cara |
Difficulty |
Medium |
Duration |
9'48 |
Complete score and part of the "Oboe Concerto No.8 in G minor" for Oboe and Cembalo.
Transcribed by Santino Cara from "12 Concertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio, 3. Allegro.
Score and parts
Title by uploader: Albinoni - Oboe Concerto No.8 in G minor for Oboe, Strings and Cembalo, Op.9
Instrumentation |
Harpsichord, Oboe, Violin, Viola, Cello, Double bass |
Scored for |
Solo, Chamber orchestra |
Type of score |
Full score, Parts |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Santino Cara |
Publisher |
Santino Cara |
Difficulty |
Medium |
Duration |
9'48 |
Complete score and parts of the "Oboe Concerto No.8 in G minor" for Oboe, Strings and Cembalo. Reconstructed and elaborated by Santino Cara from "12 Concertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio, 3. Allegro
Score and parts
Title by uploader: Albinoni T. Oboe Concerto g-moll - Score & Parts, Op.9 Nr.8
Instrumentation |
Oboe, Violin, Viola, Cello, Double bass |
Scored for |
Solo, String orchestra |
Type of score |
Full score, Parts, Solo part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
For oboe and string orchestra – score, parts
Title by uploader: Concerto for Oboe and String Orchestra in G Minor, Op.9 No.8
Instrumentation |
Oboe, Violin, Viola, Cello, Double bass |
Scored for |
Solo, String orchestra |
Type of score |
Full score, Parts, Solo part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
Complete score and parts of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra ", composed in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
Full Score + Parts: Oboe, Violin I, Violin II, Viola, Cello, Double Bass
For oboe and string orchestra – solo parts
Title by uploader: Concerto for Oboe in G Minor, Op.9 No.8
Instrumentation |
Oboe |
Scored for |
String orchestra |
Type of score |
Solo part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
Oboe solo part of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra", composed in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
For english horn and string orchestra – score, parts
Title by uploader: Concerto for English horn and String Orchestra in G Minor, Op.9 No.8
Instrumentation |
Cor anglais, Violin, Viola, Cello, Double bass |
Scored for |
String orchestra |
Type of score |
Full score, Parts, Second part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
English horn solo part of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra", composed in 1722 by T. Albinoni, arranged for English horn by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement for English horn offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
For english horn and string orchestra – solo part
Title by uploader: Concerto for English horn in G Minor, Op.9 No.8
Instrumentation |
Cor anglais |
Scored for |
String orchestra |
Type of score |
Solo part |
Key |
G minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
English horn solo part of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra", composed in 1722 by T. Albinoni, arranged for English horn by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement for English horn offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
For oboe d'amore and string orchestra – score, parts
Title by uploader: Concerto for Oboe d'amore and String Orchestra in E Minor, Op.9 No.8
Instrumentation |
Violin, Viola, Cello, Double bass, Oboe d'amore |
Scored for |
Solo, String orchestra |
Type of score |
Full score, Parts, Solo part |
Key |
E minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
Complete score and parts of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra", composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
For oboe d'amore and string orchestra – score, solo parts
Title by uploader: Concerto for Oboe d'amore in E Minor, Op.9 No.8
Instrumentation |
Violin, Viola, Cello, Double bass, Oboe d'amore |
Scored for |
Solo, String orchestra |
Type of score |
Full score, Solo part |
Key |
E minor |
Movement(s) |
1 to 3 from 3 |
Arranger |
Don Werdick |
Publisher |
Chamber Ensemble of Minnesota, Inc. |
Difficulty |
Advanced |
Duration |
10'12 |
Year of composition |
1722 |
Oboe d’amore solo part and full score of the "Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra", composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 12 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
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