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The Well-Tempered Clavier. Book I • Complete set, BWV 846-869
Classical/Fugue • Alternative Title: Das wohltemperierte
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For piano
Title by uploader: Well Tempered Clavier (Full Book 1), BWV 846-869
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Movement(s) |
1 to 24 from 24 |
Difficulty |
Advanced |
Full first book (Well Tempered Clavier) for piano.
Check http://olcbarcelonamusic.load.cd for more sheet music and / or second book of W. T. C.
For piano
Title by uploader: Bach - The Well Tempered Clavier Book I - 24 Preludes and Fugues for Piano, BWV 846/869
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
Piano score |
Movement(s) |
1 to 24 from 24 |
Arranger |
Santino Cara |
Publisher |
Santino Cara |
Difficulty |
Medium |
Year of composition |
1722 |
Genre |
Classical/Piece |
Complete scores of "The Well Tempered Clavier - Book I" 24 Preludes and Fugues for Piano. Composed in 1722 by Johann Sebastian Bach. Rewritten and elaborated in 2019 by Santino Cara
Arrangement for SATB saxophone quartet
Title by uploader: J. S. Bach: The Well-Tempered Clavier, Book 1. 24 preludes and fugues, arranged for SATB saxophone quartet, BWV 846-869
Instrumentation |
Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Soprano Saxophone |
Scored for |
Quartet |
Type of score |
Full score, Parts |
Movement(s) |
1 to 24 from 24 |
Arranger |
Paul Wehage |
Publisher |
Musik Fabrik |
Difficulty |
Advanced |
Duration |
90'0 |
Year of composition |
1720 |
Genre |
Classical/Chamber music |
J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chords sound through discretely sustaining these voices through resonance.
The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso” ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.
The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
For piano
Title by uploader: Хорошо темперированный клавир том 1
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Genre |
Classical/Instrumental |
For piano
Title by uploader: ХТК I том
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Genre |
Classical/Instrumental |
For piano
Title by uploader: ХТК 1 том ред. Муджеллини
Instrumentation |
Piano |
Scored for |
Solo |
Type of score |
For a single performer |
Genre |
Classical/Instrumental |
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