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Etude No.6 for piano, MVWV 672

Klassische Musik/Etüde • 2011 • Alternativer Titel: Lamento N0
 
     
 

Etude No.6 for piano


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Verkäufer Maurice Verheul
PDF, 168.2 Kb ID: SM-000159835 Datum des Uploads: 20 Mrz 2012
Instrumentierung
Klavier
Partitur für
Solo
Art der Partitur
Für einen Interpreten
Verleger
Maurice Verheul
Schwierigkeitsgrad
Schwer
Länge
3'3
The whole idea behind the lamento’s is the repetition of note groups; sometimes in a sequins or sometimes in random order.

Why did I call the structure of these pieces “lamento”?
Lament translated from English into Latin is Queror it means “complain”. Lament means tear in Latin; lamento is a song; a Lamentation.
In my Idea is complaining the frequent expression of discontent; with other words repetition. The other idea is “tear” in the form of crying. The shape of a tear is the raindrop. All tears have the same form; I call this also a sequins. Put one and one together and you have the Lamento; sequins and repetition.

Every piece has its own idea; it’s one musical problem to solve; yes it looks like an etude when you look at it from this angle. Most of the pieces are counterpointical in form. The work s chromatically arranged but they are not composed in this order.

C 2 expanding dissonant chords and dotted rhythm etude MVWV 234
c 3 counterpoint with dissonant chords and dotted rhythm etude MVWV 235
Cis 16 a feather-light touch with direct articulation and motif cloud etude MVWV 249
cis 17 Anti-metrical, octave and 32 etude MVWV 251
Des 16 b Large chords and "jumping "hands etude MVWV 250
des Pedel etude MVWV 672
D 4 punctured contrapuntal rhythm and accents etude MVWV 236
d 7 counterpoint etude MVWV 239
Dis 18 b Accent etude MVWV 253
dis 21 a rhytmical counterpoint etude MVWV 258
Es 18 a Counterpoint etude MVWV 252
es 21 b Pseudo serail etude MVWV 259
E 6 Dissonant chords and complex "cloud" rhythm etude MVWV 238
e 11 Fourth and fifth finger etude MVWV 243
F 8 Counterpoint etude MVWV 240
f 1 Counterpoint etude MVWV 233
Fis 20 a feather-light touch with direct articulation accents etude MVWV 256
fis 15 Staccato, portato, counterpoint and cross hands etude MVWV 248
Ges 20 b 3/4 chord etude MVWV 257
ges Toneless etude MVWV 673
G 10 dissonant second and one measure rhythmical motif etude MVWV 242
g 5 hesitation etude MVWV 237
Gis 22 b Motif building etude MVWV 261
gis 19 a piano keystroke etude: feather-light touch MVWV 254
As 22 a Counterpoint and quarter etude MVWV 260
as 19 b Second chord and rhythmical counterpoint etude MVWV 255
A 12 Octave and anti-metrical rhythm etude MVWV 244
a 9 rhythmical fifth and sixth etude MVWV 241
Ais 24 b Motif building etude MVWV 265
ais 23 a Verzierung (mordent/praller) etude MVWV 262
Bes 24 a Mirror and rhythm etude MVWV 264
bes 23 b expanding second notes and chords etude MVWV 263
B 14 a Rhytem and staccato etude MVWV 246
b 13 counterpoint etude MVWV 245
Ces 14 b counterpoint etude MVWV 247
C repetitive left hand etude MVWV 266
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