| |
|
|
|
| |
|
|
|
| |
Variations on a Theme by Sor
Klassische Musik/Zeitgenössisch • 2005
|
|
|
| |
|
|
|
| |
Für Gitarre
Titel nach Uploader: Variations on a Theme by Sor (Solo)
Instrumentierung |
Klassische Gitarre |
Partitur für |
Solo |
Art der Partitur |
Für einen Interpreten |
Tonart |
e-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
6'27 |
These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting melody has been begging me for years to be in tremolo ("Sor-ega") and that was the impetus to do these variations (and to move to E minor). The second variation, in E major ("Sor-cassi"), reveals the sunny side of this melody. I imagine it is a 'lost' study by Carcassi (Op. 60, No. 26!). The last variation, "Sor-os" considers what may have happened if Sor met Villa-Lobos.
For flute and guitar – score and parts
Titel nach Uploader: Variations on a Theme by Sor (Flute and Guitar) - Score and Parts
Instrumentierung |
Flöte, Klassische Gitarre |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
h-Moll |
Satz, Nr. |
1 bis 4 von 4 |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
5'21 |
These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the flute and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
For violin and guitar – score and parts
Titel nach Uploader: Variations on a Theme by Sor (Violin and Guitar) - Score and Parts
Instrumentierung |
Geige, Klassische Gitarre |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
h-Moll |
Satz, Nr. |
1 bis 4 von 4 |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
5'21 |
These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the violin and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
For cello and guitar – score and parts
Titel nach Uploader: Variations on a Theme by Sor (Cello and Guitar) - Score and Parts
Instrumentierung |
Cello, Klassische Gitarre |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
h-Moll |
Satz, Nr. |
1 bis 4 von 4 |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
5'21 |
These variations are based on the famous B Minor study by Fernando Sor (Op. 35, No.22; Segovia No. 5). The haunting theme is ideal for the cello and is set off by simple arpeggios in the guitar part. The first variation will really wake everybody up and the second variation in B major reveals the sunny side of this melody. The last variation considers what may have happened if Sor met Villa-Lobos.
|
|
|
| |
|
|
|
| |
|
|
| |
|
|
|