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Drewrie's Accordes
Klassische Musik/Instrumentalmusik
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For two guitars – score and parts
Titel nach Uploader: Drewrie's Accordes (Duo) - Score and Parts
Instrumentierung |
Klassische Gitarre |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
E-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Kevin Love |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Mittel |
Länge |
1'57 |
Originally for two lutes, this piece is fun because of the the 'call and answer' effects (said to imitate the sound of bells, perhaps the chimes of London churches). Dynamics are editorial and meant to indicate which voice should come out; liberal use of colour changes would be effective too...
For four guitars – score and parts
Titel nach Uploader: Drewrie's Accordes (Quartet) - Score and Parts
Instrumentierung |
Klassische Gitarre |
Partitur für |
Quartett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
E-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Kevin Love |
Verleger |
Kevin Love |
Schwierigkeitsgrad |
Mittel |
Länge |
1'57 |
Originally for two lutes, this piece is even more fun for quartet because of the opportunity to pass around all the 'call and answer' parts. Dynamics are editorial and meant to indicate which voice should come out; liberal use of colour changes would be effective too...
Instrumentierung |
Klassische Gitarre |
Genre |
Klassische Musik |
Für Gitarre
Titel nach Uploader: Drewrie's Accordes
Instrumentierung |
Klassische Gitarre |
Partitur für |
Solo |
Art der Partitur |
Für einen Interpreten |
Tonart |
E-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Michael Hendrix |
Verleger |
Michael Hendrix |
Schwierigkeitsgrad |
Mittel |
Länge |
1'51 |
Jahr der Komposition |
1560 |
Most commonly known in it's duet form, I couldn't resist putting the parts together to enjoy this renaissance masterpiece as a solo. Call and answer and imitation aplenty.
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