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Good to Go, for voices
Klassische Musik/Crossover • 2004 • Texter: Paul Burnell
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Partitur
Titel nach Uploader: Good to Go, for voices - Score
Instrumentierung |
Gemischter Chor: Sopran, Alt, Tenor, Bass |
Partitur für |
Chor |
Art der Partitur |
Singpartitur |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Paul Burnell |
Sprache |
Englisch |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
4'50 |
Score also available.
Available on 2007 album 'Good to Go'.
For voices: Soprano 1, Soprano 2/Alto, Tenor 1, Tenor 2/Bass
Optional: Untuned percussion - from rehearsal letter C first time, introduce subtle percussion ad lib. Percussion tacet between F & G. From G first time - add more definite pulsed percussion ad lib., and continue through 2nd time (except between rehearsal letters F and G).
Doubling instruments - may double the voice parts, and may double at the octave higher or lower. In addition, during the first time, some instruments may play a medium to high register drone on Bb, softly at the beginning, with a crescendo from E until bar 78 then fading out by F.
Text:
Good to go I'm good to go.
Now I'm ready,
You know I'm ready,
I'm good to go.
Go and tear the sky,
Go and take the final bow.
Go into a star,
Synchronise alignment now.
Long ago was a star,
With a single alignment now.
I'm Good to go.
Stimmen
Titel nach Uploader: Good to Go, for voices - Parts
Instrumentierung |
Gemischter Chor: Sopran, Alt, Tenor, Bass |
Partitur für |
Chor |
Art der Partitur |
Stimmen |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Paul Burnell |
Sprache |
Englisch |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
4'50 |
Score also available.
Available on 2007 album 'Good to Go'.
For voices: Soprano 1, Soprano 2/Alto, Tenor 1, Tenor 2/Bass
Optional: Untuned percussion - from rehearsal letter C first time, introduce subtle percussion ad lib. Percussion tacet between F & G. From G first time - add more definite pulsed percussion ad lib., and continue through 2nd time (except between rehearsal letters F and G).
Doubling instruments - may double the voice parts, and may double at the octave higher or lower. In addition, during the first time, some instruments may play a medium to high register drone on Bb, softly at the beginning, with a crescendo from E until bar 78 then fading out by F.
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