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Prelude and Fugue 'To Your Name'

Jazz/Instrumentalmusik • 2004
 
 
   
 

Präludium

Titel nach Uploader: Prelude of the Cycle "Prelude and Fuga To Your Name" (to I. S. Bach)


Gratis

PDF, 291.7 Kb ID: SM-000205297 Datum des Uploads: 28 Apr 2014
Instrumentierung
Klavier
Partitur für
Solo
Art der Partitur
Für einen Interpreten
Tonart
es-Moll
Satz, Nr.
1 bis 1 von 2
Verleger
Yekaterina Shatrova
Schwierigkeitsgrad
Schwer
For piano solo. Composer - Yekaterina Shatrova.
". Reverential and awesome composer`s attitude to the genius of the West-European music is obvious from the first notes. Creating a peculiar Bach`atmosphere, Ye.Shatrova uses allusion to the Bach`s Little Polyphonic Cycle, namely Prelude and Fugue es-moll from Volume I of «Well Tempered Clavier», one of the most symbolic and representational Bach`s compositions. The prelude begins with almost exact quotation of Bach`s theme. However, the expressive recitative is chromaticized later on, taking another colouring. There came unexpected harmonic transitions, syncopation typical for jazz, fanciful rhythm and intonation. The composer`s style is oozing through the eternal Bach`s music, coexisting in the respectful dialogue of epochs. Illusory subject, as if coming from non-existence, is change by a rapt polyphonic development section. The polyphony a la baroque, combined with swing articulation, alternates with astringent harmonic episodes, creating inner stylistic contrasts in the fugue. Thus, means of baroque polyphony in the cycle are interpreted through the individual composer`s style, getting an interesting, fresh sounding".
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Fugue

Titel nach Uploader: The Fugue from the Little Polyphonic Cycle Prelude and Fugue «To Your Name»


Gratis

PDF, 311.2 Kb ID: SM-000205755 Datum des Uploads: 11 Mai 2014
Instrumentierung
Klavier
Partitur für
Solo
Art der Partitur
Klavierauszug
Tonart
es-Moll
Satz, Nr.
2 bis 2 von 2
Verleger
Yekaterina Shatrova
Schwierigkeitsgrad
Schwer
Reverential and awesome composer`s attitude to the genius of the West-European music is obvious from the first notes. Creating a peculiar Bach`atmosphere, Ye.Shatrova uses allusion to the Bach`s Little Polyphonic Cycle, namely Prelude and Fugue es-moll from Volume I of «Well Tempered Clavier», one of the most symbolic and representational Bach`s compositions. The prelude begins with almost exact quotation of Bach`s theme. However, the expressive recitative is chromaticized later on, taking another colouring. There came unexpected harmonic transitions, syncopation typical for jazz, fanciful rhythm and intonation. The composer`s style is oozing through the eternal Bach`s music, coexisting in the respectful dialogue of epochs. Illusory subject, as if coming from non-existence, is change by a rapt polyphonic development section. The polyphony a la baroque, combined with swing articulation, alternates with astringent harmonic episodes, creating inner stylistic contrasts in the fugue. Thus, means of baroque polyphony in the cycle are interpreted through the individual composer`s style, getting an interesting, fresh sounding.
  • Kommentare
 
 
   
 
 
   
 
0:00 Prelude of the Cycle "Prelude and Fuga To Your Name" (to I. S. Bach)
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