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Dimension 20, Regeneration

Klassische Musik/Zeitgenössisch • 2010
 
 
   
 

Partitur

Titel nach Uploader: Dimension 20, Regeneration - Score


5.00 USD

Verkäufer Nick Raspa
PDF, 0.97 Mb ID: SM-000217599 Datum des Uploads: 09 Jan 2015
Instrumentierung
Klavier, Klarinette, Horn
Partitur für
Trio
Art der Partitur
Partitur
Satz, Nr.
1 bis 1 von 4
Verleger
Nick Raspa
Schwierigkeitsgrad
Fortgeschritten
Länge
9'0
This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by "Access Contemporary Music" to be performed in a Chicago reading session by members of the contemporary music ensemble "Anaphora" and broadcast over the internet in February 2012. The work has a total duration of 9 minutes. The title makes reference to both the dodecaphonic movement in music and my family's immigration to the United States. This piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows
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B Flat clarinet part

Titel nach Uploader: Dimension 20, Regeneration - B Flat Clarinet part


3.50 USD

Verkäufer Nick Raspa
PDF, 250.6 Kb ID: SM-000217602 Datum des Uploads: 09 Jan 2015
Instrumentierung
Klarinette
Partitur für
Trio
Art der Partitur
Stimmen
Satz, Nr.
1 bis 1 von 4
Verleger
Nick Raspa
Schwierigkeitsgrad
Fortgeschritten
Länge
9'0
This is the B Flat Clarinet part for Dimension 20, Regeneration - 4 pages
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Horn in F part

Titel nach Uploader: Dimension 20, Regeneration - Horn in F part


3.50 USD

Verkäufer Nick Raspa
PDF, 230.8 Kb ID: SM-000217605 Datum des Uploads: 09 Jan 2015
Instrumentierung
Horn
Partitur für
Trio
Art der Partitur
Stimmen
Satz, Nr.
1 bis 1 von 4
Verleger
Nick Raspa
Schwierigkeitsgrad
Fortgeschritten
Länge
9'0
This is the Horn in F part for Dimension 20, Regeneration - 4 pages
  • Kommentare

Klavierstimme

Titel nach Uploader: Dimension 20, Regeneration - Piano part


3.50 USD

Verkäufer Nick Raspa
PDF, 286.6 Kb ID: SM-000217606 Datum des Uploads: 09 Jan 2015
Instrumentierung
Klavier
Partitur für
Trio
Art der Partitur
Stimmen
Satz, Nr.
1 bis 1 von 4
Verleger
Nick Raspa
Schwierigkeitsgrad
Fortgeschritten
Länge
9'0
This is the piano part for Dimension 20, Regeneration - 8 pages
  • Kommentare

Score, parts

Titel nach Uploader: Dimension 20, Regeneration (Full Set)


9.95 USD

Verkäufer Nick Raspa
PDF, 1.28 Mb ID: SM-000247248 Datum des Uploads: 02 Mai 2016
Instrumentierung
Klavier, Klarinette, Horn
Partitur für
Trio
Art der Partitur
Partitur, Stimmen
Satz, Nr.
1 bis 4 von 4
Verleger
Nick Raspa
Schwierigkeitsgrad
Fortgeschritten
Länge
9'0
Genre
Klassische Musik/Kammermusik
This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by "Access Contemporary Music" to be performed in a Chicago reading session by members of the contemporary music ensemble "Anaphora" and broadcast over the internet in February 2012. This atonal work has a total duration of 9 minutes. The title makes reference to both the dodecaphonic movement in music from the early 20th Century and my immigrant family's immigration to the United States during the very early part of the 20th Century. This piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows
  • Kommentare
 
 
   
 
 
   
 
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