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Chamber Symphony No.5 'The Unimaginable', Op.124

Klassische Musik/Sinfoniemusik • 2002
 
 
   
 

Partitur

Titel nach Uploader: Chamber Symphony No.5 'The Unimaginable' - Score, Op.124


1.00 USD

Verkäufer Richard Burdick
PDF, 6.51 Mb ID: SM-000227395 Datum des Uploads: 19 Jun 2015
Instrumentierung
Klavier, Klarinette, Fagott, Horn, Geige, Bratsche, Cello, Kontrabass, Marimba
Partitur für
Kammerorchester
Art der Partitur
Partitur
Satz, Nr.
1 bis 4 von 4
Verleger
I Ching Music
Länge
20'0
You can watch the demo here:
https://www.youtube.com/watch?v=_kTIBGBHNHU

For clarinet, bassoon, 3 natural horns. marimba, piano and strings

The first movement "Moderato" was written in 2002. In 2015 when I spent a few months organizing my chamber symphonies, I wrote the final three movements. Taking inspiration from the contrasting keys of the natural horns, the mixing of the harmonies is quite interesting.
I tried to keep the horn parts quite simplpe.

Movement two was written in 2015.

Movement three was constructed by finding the consonant harmonies resulting from the harmonic series' of the three different natural horn keys. It is titled "Thirty-Three Rising" because it has around 33 simple overlapping arpegios. In a key of A. Written in 2015.

Movement four is a fugue.

Performance notes:
There are quite a lot of fast polyrythyms it this work. I don't expect much more than tremelos in the faster groups of these.
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Titel nach Uploader: Chamber Symphony No.5 'The Unimaginable' - Parts, Op.124


99.00 USD

Verkäufer Richard Burdick
PDF, 7.31 Mb ID: SM-000227397 Datum des Uploads: 19 Jun 2015
Instrumentierung
Klavier, Klarinette, Fagott, Horn, Geige, Bratsche, Cello, Kontrabass, Marimba
Partitur für
Kammerorchester
Art der Partitur
Stimmen
Satz, Nr.
1 bis 4 von 4
Verleger
I Ching Music
Schwierigkeitsgrad
Fortgeschritten
Länge
20'0
You can watch the demo here:
https://www.youtube.com/watch?v=_kTIBGBHNHU

For clarinet, bassoon, 3 natural horns. marimba, piano and strings

The first movement "Moderato" was written in 2002. In 2015 when I spent a few months organizing my chamber symphonies, I wrote the final three movements. Taking inspiration from the contrasting keys of the natural horns, the mixing of the harmonies is quite interesting.
I tried to keep the horn parts quite simplpe.

Movement two was written in 2015.

Movement three was constructed by finding the consonant harmonies resulting from the harmonic series' of the three different natural horn keys. It is titled "Thirty-Three Rising" because it has around 33 simple overlapping arpegios. In a key of A. Written in 2015.

Movement four is a fugue.

Performance notes:
There are quite a lot of fast polyrythyms it this work. I don't expect much more than tremelos in the faster groups of these.
  • Kommentare
 
 
   
 
 
   
 
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