| |
Für Flöte und Piano
Titel nach Uploader: Sultry Nights (Flute)
Instrumentierung |
Klavier, Flöte |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
e-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
2'20 |
A brand new original piece for Flute with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the flute up into its higher register, and covers a wide range of dynamics, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
Für Klarinette und Klavier
Titel nach Uploader: Sultry Nights (Clarinet)
Instrumentierung |
Klavier, Klarinette |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
d-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
2'20 |
A brand new original piece for Clarinet with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the clarinet up into its higher register, and covers a wide range of dynamics, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
Für Violine und Klavier
Titel nach Uploader: Sultry Nights (Violin)
Instrumentierung |
Klavier, Geige |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
d-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
2'20 |
A brand new original piece for Violin with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the violin up into its higher register, and covers a wide range of dynamics, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
Für Cello und Klavier
Titel nach Uploader: Sultry Nights (Cello)
Instrumentierung |
Klavier, Cello |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
fis-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Mittel |
Länge |
2'20 |
A brand new original piece for Cello with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the cello up into its higher register, and covers a wide range of dynamics, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
For euphonium solo with piano
Titel nach Uploader: Sultry Nights - Euphonium Solo w. Piano
Instrumentierung |
Klavier, Euphonium |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
f-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
2'20 |
Jahr der Komposition |
2018 |
A brand new original piece for Euphonium with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the Euphonium right up into its higher register, and covers a wide range of dynamics, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
Für Fagott und Klavier
Titel nach Uploader: Sultry Nights - Bassoon and Piano
Instrumentierung |
Klavier, Fagott |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
d-Moll |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Mittel |
Länge |
2'20 |
A brand new original piece for Bassoon with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It is not particularly demanding of range, but needs good control of dynamics and expression, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.
There is no doubling between the piano and bassoon, which makes it ideal as an exam piece. But is also useful as a filler in a concert.
|
|
|