|
|
|
|
|
|
|
|
|
Solo de Concours No.2, Op.34
Klassische Musik/Musikstück • 1860
|
|
|
|
|
|
|
|
Für Oboe und Klavier
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours, for oboe and piano, Op.34
Instrumentierung |
Klavier, Oboe |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
6'0 |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy.
For english horn and piano
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours, aranged for english horn and piano, Op.34
Instrumentierung |
Klavier, Englischhorn |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
6'0 |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy. The english horn part is the same as the oboe version and the piano is transposed to the proper key.
For Bb clarinet and piano
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours, aranged for Bb clarinet and piano, Op.34
Instrumentierung |
Klavier, Klarinette |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
6'0 |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy.
For 'C Melody' saxophone and piano
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours, for 'C Melody' saxophone and piano, Op.34
Instrumentierung |
Klavier, Saxophon |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
6'0 |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy. The first edition mentions « saxohone » as an alternative instruemnt, which is almost certainly the instrument in C.
For Bb soprano (or tenor) saxophone and piano
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours, arranged for Bb soprano or tenor saxophone and piano, Op.34
Instrumentierung |
Klavier, Tenorsaxophon, Sopransaxophone |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Länge |
6'0 |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy. The first edition mentions « saxohone » as an alternative instruemnt, which is almost certainly the instrument in C. The saxophone part is the same as the original version, but the piano part is transposed to permit performance in the correct key.
For alto (or baritone) saxophone and piano
Titel nach Uploader: Charles Colin: Deuxième Solo de Concours for alto (or baritone) saxophone and piano, Op.34
Instrumentierung |
Klavier, Altsaxophon, Baritonsaxophon |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Mittel |
Charles Colin (1832-1881) was a French composer and oboe who taught at the Paris Conservatory. This piece was written for the Prize exams during his tenure there and is based on a first-edition copy.
|
|
|
|
|
|
|
|
|
|
|
|
|
|