| |
For oboe and cembalo (or piano)
Titel nach Uploader: Albinoni - Oboe Concerto No.11 in B flat major for Oboe and Cembalo (or Piano), Op.9
Instrumentierung |
Cembalo, Oboe |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Santino Cara |
Verleger |
Santino Cara |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'44 |
Complete score and part of the "Oboe Concerto No.11 in B flat major" for Oboe and Cembalo or Piano. Transcribed by Santino Cara from "12 Concertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio, 3. Allegro
Score and parts
Titel nach Uploader: Albinoni - Oboe Concerto No.11 in B flat major for Oboe, Strings and Cembalo, Op.9
Instrumentierung |
Cembalo, Oboe, Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Solo, Kammerorchester |
Art der Partitur |
Partitur, Stimmen |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Santino Cara |
Verleger |
Santino Cara |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Complete score and parts of the "Oboe Concerto No.11 in B flat major" for Oboe, Strings and Cembalo. Reconstructed and elaborated by Santino Cara from "12 Concertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio, 3. Allegro
Source: This concert was rebuilt from the first edition of 1722 published in Amsterdam by the publisher Michel-Charles Le Cène.
Score and parts
Titel nach Uploader: Concerto for Oboe and String Orchestra in Bb Major, Op.9 No.11
Instrumentierung |
Oboe, Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Solo, Streichorchester |
Art der Partitur |
Partitur, Stimmen, Solo Stimme |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
Complete score and parts of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra ", composed in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
Full Score + Parts: Oboe Solo, Violin I, Violin II, Viola, Cello, Double Bass
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Solostimme
Titel nach Uploader: Concerto for Oboe in Bb Major, Op.9 No.11
Instrumentierung |
Klavier, Oboe |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
Oboe solo part, oboe + piano score and piano accompaniment part of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra", composed in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for english horn and string orchestra – score, parts
Titel nach Uploader: Concerto for English horn and String Orchestra in Bb Major, Op.9 No.11
Instrumentierung |
Englischhorn, Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Solo, Streichorchester |
Art der Partitur |
Partitur, Stimmen, Solo Stimme |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
Complete score and parts of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra", composed in 1722 by T. Albinoni, arranged for English horn by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
Full Score + Parts: English horn Solo, Violin I, Violin II, Viola, Cello, Double Bass
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This English horn solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for english horn and string orchestra – solo part
Titel nach Uploader: Concerto for English horn in Bb Major, Op.9 No.11
Instrumentierung |
Klavier, Englischhorn |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
B-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
English horn and Piano accompaniment/score of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra", composed in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This English horn arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for oboe d'amore and strings (G Major)
Titel nach Uploader: Concerto for Oboe d'amore in G Major, Op.9 No.11
Instrumentierung |
Klavier, Oboe d'amore |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
Oboe d’amore solo arrangement, Piano accompaniment and Score of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra", composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This Oboe d’amore arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for oboe d'amore and strings (G Major) – score, parts
Titel nach Uploader: Concerto for Oboe d'amore and String Orchestra in G Major, Op.9 No.11
Instrumentierung |
Geige, Bratsche, Cello, Kontrabass, Oboe d'amore |
Partitur für |
Solo, Streichorchester |
Art der Partitur |
Partitur, Stimmen, Solo Stimme |
Tonart |
G-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Arrangeur |
Don Werdick |
Verleger |
Chamber Ensemble of Minnesota, Inc. |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'50 |
Jahr der Komposition |
1722 |
Complete score and parts of the "Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra", composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D. Werdick.
Movements: 1. Allegro 2. Adagio 3. Allegro
Time: 10 minutes, 50 seconds
Full Score + Parts: Oboe d’amore Solo, Violin I, Violin II, Viola, Cello, Double Bass
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This Oboe d’amore solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
|
|
|