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For wind quintet
Titel nach Uploader: Courtly Dances – Wind Quintet
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe, Horn |
Partitur für |
Quintett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
Es-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
9'11 |
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.
The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.
Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.
Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
Printing. It is highly reccommended to print the parts as 2-up (not booklet or spreads) or to stick single sided pages together in that order to avoid page turns in the 3rd movement.
For double reed quintet
Titel nach Uploader: Courtly Dances – Double Reed Quintet
Instrumentierung |
Fagott, Oboe, Englischhorn, Kontrafagott |
Partitur für |
Quintett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
Es-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
9'11 |
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for Double Reed quintet 2 oboes, CA, Bassoon, Contrabassoon
The style of the first one is marcato, with a touch of irony! The contra leads with an Alberti pattern followed by the first melodic idea stated on the Bassoon. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the Oboe 1 with an obbligato on oboe 2 before the DS. Surprisingly simple, but 3 mins long.
Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabassoon and Bassoon. The middle section has a mournful Contra melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.
Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine.
Streichquartett
Titel nach Uploader: Courtly Dances – String Quintet
Instrumentierung |
Geige, Bratsche, Cello, Kontrabass |
Partitur für |
Quintett |
Art der Partitur |
Partitur, Stimmen |
Tonart |
D-Dur |
Satz, Nr. |
1 bis 3 von 3 |
Verleger |
Mike Lyons |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
9'11 |
Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for string quintet Violins 1 & 2, Viola, Cello and Contrabass
The style of the first one is marcato, with a touch of irony! The Contrabass leads with an Alberti pattern followed by the first melodic idea stated on the Cello. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the 1st Violin with an obbligato on Violin 2 before the DS. Surprisingly simple, but 3 mins long.
Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the Contrabass and Cello. The middle section has a mournful Double Bass melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.
Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
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