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String Quartet No.1
Klassische Musik/Kammermusik • 1992
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1st Movement
Titel nach Uploader: String Quartet No.1, 1st Movement
Instrumentierung |
Geige, Bratsche, Cello |
Partitur für |
Quartett |
Art der Partitur |
Partitur |
Tonart |
c-Moll |
Satz, Nr. |
1 bis 1 von 3 |
Verleger |
Matthew Reid |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
7'39 |
A fiery and expressive movement in a neo-classical style. A piece that is both modern sounding and accessible to audiences - think Bach meets Prokofiev.
The Quartet #1 consists of three movements each with two melodies. The two melodies' materials are the same in each movement, but cleverly and almost imperceptively altered.
Have a listen to the excerpt from the fugal development.
A challenge for both professional performers and ambitious hobbyists.
2nd Movement
Titel nach Uploader: String Quartet No.1, 2nd Movement
Instrumentierung |
Geige, Bratsche, Cello |
Partitur für |
Quartett |
Art der Partitur |
Partitur |
Tonart |
Es-Dur |
Satz, Nr. |
2 bis 2 von 3 |
Verleger |
Matthew Reid |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
8'44 |
The expressive and moving second movement depicts a struggle against oppression and ugliness. An ever growing chorale again and again bursts free from a harsh re-interpretation of the 1st movement's second theme. After a defiant and passionate climax, it is slowly and quietly defeated. A piece that is both modern sounding and accessible to audiences - think Beethoven meets Shostakovich.
Have a listen to the excerpt of the opening exposition.
3rd Movement
Titel nach Uploader: String Quartet No.1, 3rd Movement
Instrumentierung |
Geige, Bratsche, Cello |
Art der Partitur |
Partitur |
Tonart |
C-Dur |
Satz, Nr. |
3 bis 3 von 3 |
Verleger |
Matthew Reid |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
6'29 |
The playful and joyful conclusion. A thumb in the nose at authoritarianism depicted by quick moving harmonies and a polyphonic texture. Modern sounding but also accessible to listeners. A combination of the worlds of Bach and Prokofiev. Listen to the excerpt of the opening exposition.
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