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Full score, parts, solo part
Titel nach Uploader: Burlesque for domra with orchestra of Russian folk instruments (full score, parts, solo part), Op.54
Instrumentierung |
Knopfakkordeon, Flöte, Klarinette, Fagott, Oboe, Balalaika, Domra, Kleine Trommel, Triangel, Pauke, Tamburin, Gusli, Grosse Trommel, Tempelblock |
Partitur für |
Orchester für russische Volksinstrumente |
Art der Partitur |
Partitur, Stimmen, Solo Stimme |
Tonart |
C-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Vyacheslav Kruglik |
Verleger |
Vyacheslav Kruglik |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
6'0 |
V. Kruglik — Burlesque for domra with orchestra of Russian folk instruments.
I was approached by a well-known St. Petersburg domristka, soloist of the V. V. Andreev orchestra Ekaterina Shirokova with a request to write a small piece for domra and orchestra. I decided to make a quick character piece where the domra would be presented as a very technical instrument. In General, fast music sounds very good on plucked instruments. At the same time, we wanted to avoid a hint of borrowing or using widely popular Russian-folk intonations, to which we are accustomed in the XX century. This is how the idea of a Burlesque for domra and orchestra was born – a small entertaining three-part composition with fast, impetuous extreme parts and a lyrical, elegant middle part. The whole composition goes at a single pace, which contributes to its holistic perception.
The work is recommended as an educational repertoire in secondary and higher educational institutions.
Piano score, solo part
Titel nach Uploader: Burlesque for domra with orchestra of Russian folk instruments (piano score, solo part), Op.54
Instrumentierung |
Klavier, Domra |
Partitur für |
Solo, Klavierbegleitung |
Art der Partitur |
Partitur für zwei Interpreten, Solo Stimme |
Tonart |
C-Dur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Vyacheslav Kruglik |
Verleger |
Vyacheslav Kruglik |
Länge |
6'0 |
V. Kruglik — Burlesque for domra with orchestra of Russian folk instruments.
I was approached by a well-known St. Petersburg domristka, soloist of the V. V. Andreev orchestra Ekaterina Shirokova with a request to write a small piece for domra and orchestra. I decided to make a quick character piece where the domra would be presented as a very technical instrument. In General, fast music sounds very good on plucked instruments. At the same time, we wanted to avoid a hint of borrowing or using widely popular Russian-folk intonations, to which we are accustomed in the XX century. This is how the idea of a Burlesque for domra and orchestra was born – a small entertaining three-part composition with fast, impetuous extreme parts and a lyrical, elegant middle part. The whole composition goes at a single pace, which contributes to its holistic perception.
The work is recommended as an educational repertoire in secondary and higher educational institutions.
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