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French Cancan from Parisiana for wind ensemble

Klassische Musik/Sinfoniemusik • 1953
 
 
   
 

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Titel nach Uploader: French Cancan from Parisiana for wind ensemble


74.95 USD

Verkäufer Musik Fabrik
PDF, 1.86 Mb ID: SM-000537645 Datum des Uploads: 27 Jul 2022
Instrumentierung
Klarinette, Fagott, Oboe, Horn, Posaune, Trompete, Tuba, Pauke, Bassklarinette, Altsaxophon, Tenorsaxophon, Baritonsaxophon, Schlaginstrumente
Partitur für
Concert Band
Art der Partitur
Partitur, Stimmen
Satz, Nr.
1 bis 1 von 1
Arrangeur
Paul Wehage
Verleger
Musik Fabrik
Schwierigkeitsgrad
Fortgeschritten
Länge
3'0
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score and complete parts
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Vollpartitur

Titel nach Uploader: French Cancan from Parisiana for wind ensemble - Score Only


13.95 USD

Verkäufer Musik Fabrik
PDF, 494.9 Kb ID: SM-000537646 Datum des Uploads: 27 Jul 2022
Instrumentierung
Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Horn, Posaune, Trompete, Tuba, Pauke, Altsaxophon, Tenorsaxophon, Schlaginstrumente
Partitur für
Concert Band
Art der Partitur
Partitur
Satz, Nr.
1 bis 1 von 1
Arrangeur
Paul Wehage
Verleger
Musik Fabrik
Schwierigkeitsgrad
Fortgeschritten
Länge
3'0
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score only
  • Kommentare
 
 
   
 
 
   
 
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