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French Cancan from Parisiana for wind ensemble
Klassische Musik/Sinfoniemusik • 1953
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Vollpartitur, Stimmen
Titel nach Uploader: French Cancan from Parisiana for wind ensemble
Instrumentierung |
Klarinette, Fagott, Oboe, Horn, Posaune, Trompete, Tuba, Pauke, Bassklarinette, Altsaxophon, Tenorsaxophon, Baritonsaxophon, Schlaginstrumente |
Partitur für |
Concert Band |
Art der Partitur |
Partitur, Stimmen |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
3'0 |
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score and complete parts
Vollpartitur
Titel nach Uploader: French Cancan from Parisiana for wind ensemble - Score Only
Instrumentierung |
Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Horn, Posaune, Trompete, Tuba, Pauke, Altsaxophon, Tenorsaxophon, Schlaginstrumente |
Partitur für |
Concert Band |
Art der Partitur |
Partitur |
Satz, Nr. |
1 bis 1 von 1 |
Arrangeur |
Paul Wehage |
Verleger |
Musik Fabrik |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
3'0 |
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score only
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