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La Vega

Klassische Musik/Musikstück
 
 
   
 

Für Klavier

Titel nach Uploader: La Vega


1.45 USD

Verkäufer PlaceArt
PDF, 1.46 Mb ID: SM-000060038 Datum des Uploads: 07 Mrz 2011
Instrumentierung
Klavier
Partitur für
Solo
Art der Partitur
Für einen Interpreten
Tonart
as-Moll
Schwierigkeitsgrad
Fortgeschritten
  • Kommentare

For symphonic orchestra

Titel nach Uploader: Albeniz/Leytush – 'La Vega' (The Alhambra)
La Vega: For symphonic orchestra by Isaac Albéniz


80.00 USD

Verkäufer Arkady Leytush
PDF, 9.24 Mb ID: SM-000370875 Datum des Uploads: 02 Sep 2019
Instrumentierung
Flöte, Piccoloflöte, Klarinette, Fagott, Oboe, Bassposaune, Horn, Posaune, Trompete, Tuba, Geige, Bratsche, Cello, Kontrabass, Harfe, Kleine Trommel, Gong, Triangel, Pauke, Becken, Tamtam, Kastagnetten, Grosse Trommel, Bassklarinette, Maracas, Sopransaxophone
Partitur für
Sinfonieorchester
Art der Partitur
Partitur
Tonart
as-Moll
Arrangeur
Arkady Leytush
Verleger
Arkady Leytush
Schwierigkeitsgrad
Fortgeschritten
Länge
12'30
Genre
Klassische Musik/Sinfoniemusik
The composition of Albeniz's "La Vega" completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after "La Vega", although his fame was mainly focused on the works for this instrument. Although "La Vega" was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished "La Vega" at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: "La Alhambra", symphonic suite on poems by F. B. Money-Coutts: nº 1: "La Vega".

Orchestra:
Piccolo, Flute, Oboe, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings.
  • Kommentare
comments Arkady Leytush 11 Sep 2019 19:46

The composition of Albeniz's "La Vega" completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after "La Vega", although his fame was mainly focused on the works for this instrument. Although "La Vega" was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished "La Vega" at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: "La Alhambra", symphonic suite on poems by F. B. Money-Coutts: nº 1: "La Vega".

 
 
   
   
 
 
   
 
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