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Destiny
Klassische Musik/Sinfoniemusik • 1998
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Vollpartitur
Titel nach Uploader: Destiny
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe, Horn, Trompete, Geige, Bratsche, Cello, Kontrabass, Pauke, Becken, Kontrafagott, Grosse Trommel, Bassklarinette, Holzblock, Tom tom, Kontrabassposaune |
Partitur für |
Sinfonieorchester |
Art der Partitur |
Partitur |
Satz, Nr. |
0 bis 0 von 1 |
Verleger |
Sonja Grossner |
Länge |
8'0 |
(for full orchestra) Was written October – November 1998. It is a dramatic exiting piece in 4 sections. The main theme introduced in the 1st section, is a twelve tone row representing the 12 months of the year. It is repeated in different ways, not only rhythmic, but also in mirror reflection and as a semi-quaver motive. A quaver motive represents the beat of a human heart. The title “Destiny” seemed appropriate for this idea. Although the work has a dramatic character, it should also convey the attitude that determination and resolution can determine one’s Destiny. The third section dissolves into a dramatic rhythmic conversation between percussion and strings before returning to the opening material. The piece ends with the calling of trumpets and trombones.
Stimmen
Titel nach Uploader: Destiny – parts
Instrumentierung |
Flöte, Klarinette, Fagott, Oboe, Horn, Posaune, Trompete, Geige, Bratsche, Cello, Kontrabass, Pauke, Kontrafagott, Bassklarinette, Schlaginstrumente |
Art der Partitur |
Stimmen |
Satz, Nr. |
1 bis 1 von 1 |
Verleger |
Sonja Grossner |
Schwierigkeitsgrad |
Fortgeschritten |
Länge |
10'0 |
Genre |
Klassische Musik |
DESTINY was written October- November 1998. It is a dramatic exciting piece in four sections. The main theme introduced in the first section, is a twelve tone row representing the 12 months of the year against a quaver motive - as heartbeat. It is repeated in different ways, not only rhythmic, but also in mirror reflection and as a semi-quaver motive. A tonal motive is repeated against the 12-tone tune. The title “Destiny “ seemed appropriate for this idea. Although the work has a dramatic character, it should also convey the attitude that determination and resolution can determine one’s Destiny. The third section dissolves into a dramatic rhythmic conversation between percussion and strings before returning to the opening themes. The piece ends with the calling of trumpets and trombones.
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