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Das Wohltemperierte Klavier. Band I • Vollständiger Satz, BWV 846-869

Klassische Musik/Fuge • Alternativer Titel: Das wohltemperierte
 
 
   
 

Vollsammlung

Titel nach Uploader: Das wohltemperierte Klavier (I), BWV 846-869


4.80 USD

PDF, 5.62 Mb ID: SM-000075427 Datum des Uploads: 23 Aug 2011
Instrumentierung
Klavier
Partitur für
Solo
Art der Partitur
Für einen Interpreten
Satz, Nr.
1 bis 24 von 24
Schwierigkeitsgrad
Fortgeschritten
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Arrangement for SATB saxophone quartet

Titel nach Uploader: J. S. Bach: The Well-Tempered Clavier, Book 1. 24 preludes and fugues, arranged for SATB saxophone quartet, BWV 846-869


77.95 USD

Verkäufer Musik Fabrik
PDF, 11.40 Mb ID: SM-000338550 Datum des Uploads: 23 Jul 2018
Instrumentierung
Altsaxophon, Tenorsaxophon, Baritonsaxophon, Sopransaxophone
Partitur für
Quartett
Art der Partitur
Partitur, Stimmen
Satz, Nr.
1 bis 24 von 24
Arrangeur
Paul Wehage
Verleger
Musik Fabrik
Schwierigkeitsgrad
Fortgeschritten
Länge
90'0
Jahr der Komposition
1720
Genre
Klassische Musik/Kammermusik
J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chords
sound through discretely sustaining these voices through resonance.

The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso” ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.

The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
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