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La grande duchesse de Gérolstein (The Grand Duchess of Gerolstein)

Clássico/Ópera • 1867 • Lírico: Henri Meilhac, Ludovic Halévy
 
 
   
 

Partitura Piano-vocal

Título por Autor: Grand Duchess of Gerolstein (Arrangement for Soloists, Choir and Piano)


1.45 USD

vendedor PlaceArt
PDF, 19.86 Mb ID: SM-000011030 data do carregamento: 21 dez 2009
Instrumentação
Piano, Soprano, Mezzo-soprano, Tenor, Barítono, Baixo, Coro masculino
Composição para
Solista, Piano de Acompanhamento, Coral
Tipo de composição
Partitura piano-vocal
movimento(s)
1 para 3 de 3
Editora
Brandus
idioma
Francês
dificuldade
Advanced
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Vous aimez le danger / Ah! que j'aime les militaires

Título por Autor: Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse-only Audition Cut


7.49 USD

vendedor Nicole DiPaolo
PDF, 309.8 Kb ID: SM-000381963 data do carregamento: 12 mar 2020
Instrumentação
Piano, Mezzo-soprano
Composição para
Solo, Piano de Acompanhamento
Tipo de composição
Partitura piano-vocal
chave
Fá (F) maior
Arrajador
Nicole DiPaolo
Editora
Nicole DiPaolo
dificuldade
Advanced
The first of its kind, this is a customized La Duchesse-only audition cut of "Vous aimez le danger...Ah! que j'aime les militaires" from Jacques Offenbach's "La Grande-Duchesse de Gérolstein" (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.

The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).
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