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Madrigals • Book 5 (a cinque voci), SV 94–106

Clássico/Motete • 1605 • Titulo arternativo: Il quinto libro de madrigali a cinque voci
 
 
   
 

Conjunto completo - Peças

Título por Autor: Madrigals for Five Voices. Book V – Parts, SV 94–106


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autor PlaceArt
PDF, 12.73 Mb ID: SM-000075321 data do carregamento: 22 ago 2011
Instrumentação
Contra Alto, Tenor, Baixo, Voz
Composição para
Quinteto
Tipo de composição
Partes
idioma
Italiano
dificuldade
Advanced
Ano de composição
1600
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Cruda Amarilli


1.45 USD

vendedor PlaceArt
PDF, 500.6 Kb ID: SM-000014715 data do carregamento: 12 mar 2010
Instrumentação
Contra Alto, Tenor, Baixo, Voz
Composição para
Quinteto
Tipo de composição
Partitura completa
chave
Sol (G) maior
Editora
Ricordi
idioma
Italiano
dificuldade
Medium
Gênero
Clássico/Madrigal
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O Mirtillo anima mia


1.45 USD

vendedor PlaceArt
PDF, 475.2 Kb ID: SM-000014717 data do carregamento: 12 mar 2010
Instrumentação
Contra Alto, Tenor, Baixo, Voz
Composição para
Quinteto
Tipo de composição
Partitura completa
Editora
Ricordi
idioma
Italiano
dificuldade
Medium
Gênero
Clássico/Madrigal
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Arrangement for quintet instruments

Título por Autor: Monteverdi - The Fifth Book of Madrigals (1605) (Complete)

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95.84 USD

vendedor Mike Lyons
PDF, 4.93 Mb ID: SM-000294304 data do carregamento: 15 ago 2017
Instrumentação
Saxofone, Fagote, Oboé, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Saxo, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 19 de 19
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
71'36
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form 'scenas' and with the addition of accompaniments on instruments.

Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

This file contains the complete 5th book, including the final song which is for 9 parts.

Because the mp3 is so large and each individual song has its own, please see each song's page if you would like to hear it.

Probably the best known song is the first one "Cruda Amaryllis". There are two scenas in this book. The first comprises nos 4 - 8 and the second nos 9-11
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No.01 Cruda Amarylli. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 01. Cruda Amarylli

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vendedor Mike Lyons
PDF, 357.2 Kb ID: SM-000296855 data do carregamento: 11 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 1 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
2'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Cruda Amarilli is a very evocative song, describing the cruelty sometimes inflicted upon each other by lovers. "Cruel Amarillis" is the translation of the first line and the fp in each part's entry emphasises that cruelty, along with the increased use of dissonance.
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No.02 O Mirtillo, Mirtillo. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 02. O Mirtillo, Mirtillo

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vendedor Mike Lyons
PDF, 348.6 Kb ID: SM-000296856 data do carregamento: 11 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta, Eufónio, Trompa francesa, Trombone, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
2 para 2 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

O Mirtillo, Mirtillo is a song about unrequited love. O Myrtle, Myrtle my life
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No.03 Era l'anima mia. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 03. Era l'anima mia

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5.99 USD

vendedor Mike Lyons
PDF, 347.2 Kb ID: SM-000296857 data do carregamento: 11 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
3 para 3 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Era l'anima mia It was my soul, taken at last is another song about separating after love-making.
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No.04 Ecco Silvio. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 04. Ecco Silvio

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5.99 USD

vendedor Mike Lyons
PDF, 358.6 Kb ID: SM-000296858 data do carregamento: 11 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
4 para 4 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Ecco Silvio - Here is Silvio whom you hate so much! This is a song about jealousy and spurned love.
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No.05 Ma se con la pietà. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 05. Ma se con la pietà

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vendedor Mike Lyons
PDF, 345.9 Kb ID: SM-000296859 data do carregamento: 11 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
5 para 5 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Ma se con la pietà - But if pity is not in you. This song is a man pleading for his woman to make love to him (again!)
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No.06 Dorinda, ah dirò. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 06. Dorinda, ah dirò

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vendedor Mike Lyons
PDF, 333.7 Kb ID: SM-000297918 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
6 para 6 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
2'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Dorinda, ah dirò - Dorinda (Doreen), ah I will say mine, If you are not with me when I lose you, and when death comes from me and I did not care then that I could give you life
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No.07 Ecco piegando. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 07. Ecco piegando

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3.99 USD

vendedor Mike Lyons
PDF, 375.3 Kb ID: SM-000297919 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
7 para 7 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
3'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Ecco piegando describes a lover on bended knee to his beloved, presumably to ask her to marry him - or perhaps marrying isn't really on his mind!
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No.08 Ferir quel petto. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 08. Ferir quel petto

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3.99 USD

vendedor Mike Lyons
PDF, 428.3 Kb ID: SM-000297920 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
8 para 8 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Ferir quel petto - A song about unfaithfulness and a cheating heart.
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No.09 Ch'io t'ami. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 09. Ch'io t'ami

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3.99 USD

vendedor Mike Lyons
PDF, 328.5 Kb ID: SM-000297921 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
9 para 9 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
3'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Ch'io t'ami speaks of a man whose lover won't leave him alone or allow him to sleep.
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No.10 Deh, bella e cara. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 10. Deh, bella e cara

ler a lisença
2.99 USD

vendedor Mike Lyons
PDF, 345.3 Kb ID: SM-000297922 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
10 para 10 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
2'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Song 10 goes into some detail about how he wants his lover to do the deed three times!
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No.11 Ma tu più che mai. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 11. Ma tu più che mai

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3.99 USD

vendedor Mike Lyons
PDF, 370.7 Kb ID: SM-000297923 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
11 para 11 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
3'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

This song is a complaint about how hard and unyielding the lover is and how she sulks and refuses to speak or say yes to his yearnings.
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No.12 Che dar più vi poss'io. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 12. Che dar più vi poss'io

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vendedor Mike Lyons
PDF, 384.8 Kb ID: SM-000297924 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
12 para 12 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Easy
duração
3'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

The twelfth madrigal, Che dar più vi poss'io, is a song about a young man offering his companion his heart (with the implication of other bodily parts) as an expression of love (lust).
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No.13 M'e Piu Dolce il Penar. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 13. M'e Piu Dolce il Penar

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4.99 USD

vendedor Mike Lyons
PDF, 399.3 Kb ID: SM-000297925 data do carregamento: 14 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
13 para 13 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Madrigal
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Song number 13 is extolling the virtues of the lovely Amaryllis "I am sweeter because of Amaryllis"
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No.14 Ahi! Come a un Vago Sol. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 14. Ahi! Come a un Vago Sol

ler a lisença
3.99 USD

vendedor Mike Lyons
PDF, 401.1 Kb ID: SM-000298014 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
14 para 14 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

The 14th song, Ahi! Come a un Vago Sol, sings of how a wandering soul finds solace in the arms of a lover.
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No.15 Troppo ben puo. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 15. Troppo ben puo

ler a lisença
3.99 USD

vendedor Mike Lyons
PDF, 463.5 Kb ID: SM-000298015 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
15 para 15 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
4'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

Madrigal 15, Troppo ben puo, describes love as a tyrant whose cruelty cannot be escaped. This madrigal included a chordal continuo part, which has been incorporated into the resting parts for the bass/tenor line.
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No.16 Amor se giusto sei. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 16. Amor se giusto sei

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 373.6 Kb ID: SM-000298016 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
16 para 16 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

In this song, the lover is expressing his desire for the woman who is to be his wife to be the right one.
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No.17 T'amo mia vita. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 17. T'amo mia vita

ler a lisença
2.99 USD

vendedor Mike Lyons
PDF, 350.1 Kb ID: SM-000298017 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
17 para 17 de 23
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
3'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

T'amo mia vita - I love you, my life, my dear one - the young man's passions are running high!
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No.18 E cosi a poco a poco. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 18. E cosi a poco a poco

ler a lisença
4.99 USD

vendedor Mike Lyons
PDF, 407.0 Kb ID: SM-000298018 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
18 para 18 de 21
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
5'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

The penultimate song again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of judicious adaptation, a six-voice song becomes a quintet.

E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) "And so little by little like a butterfly simpleton I'll return to the fire in those false eyes"
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No.19 Questi vaghi. Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - 19. Questi vaghi

ler a lisença
8.99 USD

vendedor Mike Lyons
PDF, 658.5 Kb ID: SM-000298019 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Conjunto Grande (9 ou mais participantes)
Tipo de composição
Partitura completa, Partes
movimento(s)
19 para 19 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Advanced
duração
7'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

The final song from book 5 shows quite an advance on the previously (relatively) simple writing. Here we have a full SATB ensemble plus a quite detailed continuo. Questi vaghi (These wandering little birds) also has a more complex structure being, by itself, a scena split into sections by ritornelli which he calls Sinfonias. At this stage, they are by no means substantial enough to be considered preludes or interludes, but merely dances between the sections of the song.

Because of this added complexity, I have had to arrange the piece for a 9-part brass choir. There is some overlap and crossover between the continuo and choral parts to accommodate the different groupings needed for each section. The ritornello sections need to be played more lightly and in a skipping style to add contrast between the 'vocal sections'.
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Scena 1 (Nos.4-8). Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - Scena 1 (Nos.4-8)

ler a lisença
15.99 USD

vendedor Mike Lyons
PDF, 841.2 Kb ID: SM-000298020 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
4 para 8 de 19
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
16'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

This scena in 5 parts marks the first collection in this book. It is plain that the five form a little group within the main body.
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Scena 2 (Nos.9-11). Arrangement for quintet instruments

Título por Autor: Monteverdi Madrigals Book 5 - Scena 2 (Nos.9-11)

ler a lisença
8.99 USD

vendedor Mike Lyons
PDF, 700.4 Kb ID: SM-000298021 data do carregamento: 17 set 2017
Instrumentação
Clarinete, Saxofone, Fagote, Corne Inglês, Trombone baixo, Trombone tenor, Barítono, Corneta Alto, Corneta, Eufónio, Trompa francesa, Trombone, Trombeta, Tuba, Chifre do Tenor, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano, Fliscorne, Bass Tuba
Composição para
Quinteto
Tipo de composição
Partitura completa, Partes
movimento(s)
9 para 11 de 22
Arrajador
Mike Lyons
Editora
Mike Lyons
dificuldade
Medium
duração
9'0
Gênero
Clássico/Arranjo
The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

This little group of three numbers forms a separate scena within the body of the work, intended to be performed together and clearly marked as such.
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