| |
Partitura completa
Título por Autor: Cantata 'Ich steh' mit einem Fuß im Grabe' (I Stand with One Foot in the Grave), BWV 156
Instrumentação |
Cravo, Oboé, Violino, Viola, Soprano, Contra Alto, Tenor, Baixo, coro misto |
Composição para |
Solista, Coral, Orquestra de Câmara |
Tipo de composição |
Partitura completa |
chave |
Fá (F) maior |
Editora |
Bach-Gesellschaft Ausgabe |
idioma |
Alemão |
dificuldade |
Advanced |
Partitura piano-vocal
Título por Autor: Cantata 'Ich steh mit einem Fuß im Grabe' (for Choir and Piano), BWV 156
Instrumentação |
Piano, Contra Alto, Tenor, Baixo, coro misto |
Composição para |
Solista, Piano de Acompanhamento, Coral |
Tipo de composição |
Partitura piano-vocal |
chave |
Fá (F) maior |
Editora |
Breitkopf und Härtel |
idioma |
Inglês, Alemão |
dificuldade |
Advanced |
Partitura Piano-vocal
Título por Autor: Ich steh mit einem Fuss im Grabe, BWV 156
Instrumentação |
Piano, coro misto, Voz |
Tipo de composição |
Partitura piano-vocal |
idioma |
Alemão |
Gênero |
Clássico/Música de coral |
Arranged for cello quartet
Título por Autor: Sinfonia from 'Ich Steh Mit Einem Fuß im Grabe' (Arranged for Cello Quartet), BWV 156
Instrumentação |
Violoncelo, Contrabaixo |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Fá (F) maior |
Arrajador |
Bloux Note Music |
Editora |
Bloux Note Music |
dificuldade |
Very easy |
duração |
2'10 |
Ano de composição |
1729 |
Gênero |
Clássico/Música de Câmara |
"Sinfonia" from "Ich Steh Mit Einem Fuß im Grabe", BWV 156 by Johann Sebastian Bach arranged for Cello Quartet.
This piece is part of the Gig Series, and has been arranged in a manner allowing for a wider range of groups to perform it. The intention of this line of arrangements is to allow any group at a high school level or above to play fun, quality music. All parts are written in bass clef, and no notes above A4 are required of any players. Some parts may occasionally have ossia passages notated that are more difficult, but these are optional
This arrangement is not currently part of any compilation.
Though this arrangement is for cello quartet, an optional double bass part has been included should a player be available.
Currently, there are no other arrangements of this piece available from Bloux Note Music.
Purchase of this arranement includes:
Full Score (2 pages)
Cello I (1 page)
Cello II (1 page)
Cello III (1 page)
Cello IV (1 page)
Double Bass (1 page)
Arioso, for guitar
Título por Autor: Arioso from Sinfonia, BWV 156
Instrumentação |
Guitarra clássica |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Sol (G) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Donald Sade |
Editora |
Donald Sade |
dificuldade |
Medium |
duração |
1'20 |
Ano de composição |
2013 |
Gênero |
Clássico |
The Arioso (Sinfonia) from J. S. Bach’s Cantata (BWV 156) has been transcribed for many combinations of instruments, and for many solo instruments, including guitar. This transcription, for classical guitar, is based on the Neue Ausgabe Sämtlicher Werke published in 1996 by the Johann-Sebastian-Bach Institut Göttingen and the Bach-Archiv Leipzig (Bärenriter, Kassel). This edition is based on manuscripts from the 18th and 19th century, not in J. S. Bach’s handwriting, and is scored for Oboe, Violins I and II, Viola, and Violone or Organ continuo in F major. In the transcription for Guitar I tried to preserve the sense of the continuo and the inner parts in a single bass line as far as the limited octave range of the Guitar allowed. The transcription is transposed to G major, a friendlier key for guitar. The original Arioso is one movement of a larger work and ends on the dominant chord, but because the Guitar transcription is intended as a complete piece in itself I resolve it to the tonic.
Arioso, for guitar
Título por Autor: Sinfonia (Arioso) from Cantata, BWV 156
Instrumentação |
Guitarra clássica |
Composição para |
Solo |
Tipo de composição |
For a single performer |
Arrajador |
Marco Sgura |
Editora |
Marco Sgura |
dificuldade |
Advanced |
Gênero |
Clássico |
[Arr. for Guitar]
Arioso, for oboe
Título por Autor: Arioso (Adagio em G menor), BWV 156
Instrumentação |
Oboé |
Composição para |
Solo |
Tipo de composição |
For a single performer |
Gênero |
Clássico/Ária |
Uma das músicas mais famosas de Bach, Arioso é o solo para oboé que abre a Cantata BWV 156 de Bach. Nesta pontuação serve para todos os instrumentos melódicos, oboé, violino, flauta e etc.
Arioso, for quintet recorders
Título por Autor: Arioso from J. S. Bach's Cantata, BWV 156
Instrumentação |
Gravador tenor, Soprano Recorder, Alto Recorder, Bass Recorder, Great Bass Recorder |
Composição para |
Quinteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Fá (F) maior |
Arrajador |
Annie Helman |
Editora |
Annie Helman |
dificuldade |
Medium |
duração |
2'30 |
Ano de composição |
2019 |
Gênero |
Clássico/Ária |
This marvellous aria is also known as Adagio in G. I have, however, trasnposed it to F so as to simplify the recorder playing.
I have arranged it for SATBGb recorder quintet. The entire score, as well as each part separately, are all included here in the PDF. Also included is the greatbass part in both bass and treble clefs, as many players find the treble easier to read.
Hope you enjoy!
Arioso, for guitar
Título por Autor: J. S. Bach - Arioso (from Cantata 156)
Instrumentação |
Guitarra clássica |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Sol (G) maior |
Arrajador |
Erisvaldo Borges |
Editora |
Erisvaldo Borges |
dificuldade |
Advanced |
duração |
3'46 |
Gênero |
Clássico/Peça |
Esta partitura é um arranjo livre para violão solo do Arioso da Cantata 156, de Johann Sebastian Bach.
Arioso, für BassBlockflöte
Título por Autor: Arioso, BWV 156
Instrumentação |
Bass Recorder |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Sol (G) maior |
Arrajador |
Othmar Endelweber |
Editora |
Othmar Endelweber |
dificuldade |
Difficult |
duração |
4'50 |
Gênero |
Clássico |
aus der Kantate BWV 156
Arioso, für querflöte und klavier
Título por Autor: J. S. Bach – Arioso für Querflöte und Klavier, BWV 156
Instrumentação |
Piano, Cravo, Órgão, Flauta, Harpa |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Editora |
Helena Schulthess |
dificuldade |
Advanced |
Gênero |
Clássico/Instrumental |
Dieses berühmte Arioso stammt aus der Kantate "Ich steh mit einem Fuss im Grabe", BWV 156. Es wurde für Oboe komponiert.
Dieselbe Melodie kommt auch im Cembalokonzert in f-moll, BWV 1056 vor. In diesem Konzert als Mittelsatz "Largo" in As-Dur komponiert.
Bearbeitung für Flöte und Klavier (Orgel, Cembalo, Harfe)
Arioso, für posaune
Título por Autor: Bach Arioso, BWV 156
Instrumentação |
Trombone |
Tipo de composição |
For a single performer |
Arrajador |
Christoph |
Editora |
Christoph |
dificuldade |
Medium |
Ano de composição |
2019 |
Gênero |
Clássico/Peça |
Arioso, for tenor recorder and guitar
Título por Autor: Arioso, BWV 156
Instrumentação |
Gravador tenor, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
Arrajador |
Othmar Endelweber |
Editora |
Othmar Endelweber |
dificuldade |
Advanced |
duração |
2'40 |
Gênero |
Clássico |
aus der Kantate "Ich steh' mit einem Fuß im Grabe", BWV 156
Nr.1 Sinfonia, für Klavier
Instrumentação |
Piano |
Gênero |
Clássico |
No.1 I Stand At The Threshold for Alto Clarinet & Piano
Título por Autor: Bach: I Stand At The Threshold for Alto Clarinet and Piano, BWV 156
Instrumentação |
Piano, Clarineta Alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Alto Flute & Piano
Título por Autor: Bach: I Stand At The Threshold for Alto Flute and Piano, BWV 156
Instrumentação |
Piano, Alto Flute |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Alto Sax & Piano
Título por Autor: Bach: I Stand At The Threshold for Alto Sax and Piano, BWV 156
Instrumentação |
Piano, Saxophone alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Alto Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Clarinet & Piano
Título por Autor: Bach: I Stand At The Threshold for Clarinet and Piano, BWV 156
Instrumentação |
Piano, Clarinete |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Clarinet and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Flute & Piano
Título por Autor: Bach: I Stand At The Threshold for Flute and Piano, BWV 156
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Flute and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for French Horn & Piano
Título por Autor: Bach: I Stand At The Threshold for French Horn and Piano, BWV 156
Instrumentação |
Piano, Trompa francesa |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
French Horn and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Oboe & Piano
Título por Autor: Bach: I Stand At The Threshold for Oboe and Piano, BWV 156
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Oboe d'Amore & Piano
Título por Autor: Bach: I Stand At The Threshold for Oboe d'Amore and Piano, BWV 156
Instrumentação |
Piano, Oboé d'amore |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Oboe d'Amore and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Piccolo & Piano
Título por Autor: Bach: I Stand At The Threshold for Piccolo and Piano, BWV 156
Instrumentação |
Piano, Flauta piccolo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Piccolo and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Soprano Sax & Piano
Título por Autor: Bach: I Stand At The Threshold for Soprano Sax and Piano, BWV 156
Instrumentação |
Piano, Saxofone soprano |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
DESCRIPTION
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Soprano Sax and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Trombone & Piano
Título por Autor: Bach: I Stand At The Threshold for Trombone and Piano, BWV 156
Instrumentação |
Piano, Trombone |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Trombone and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Cello & Piano
Título por Autor: Bach: I Stand At The Threshold for Cello and Piano, BWV 156
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Cello and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Violin & Piano
Título por Autor: Bach: I Stand At The Threshold for Violin and Piano, BWV 156
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Violin and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
No.1 I Stand At The Threshold for Viola & Piano
Título por Autor: Bach: I Stand At The Threshold for Viola and Piano, BWV 156
Instrumentação |
Piano, Viola |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Medium |
duração |
2'50 |
Gênero |
Clássico/Ária |
J. S. Bach: Sinfonia to the Cantata BWV 156 - I Stand At The Threshold
Composed for the 3rd Sunday of Epiphany
Duration: 2:50, Score 2 pg, solo part 1 pg. piano part - 2 pg.
Performance level: Early intermediate & up.
Program this during Epiphany, Lent or Easter. Also makes a great recital encore to demonstrate phrasing control and melodic shaping.
I Stand at the Threshold
This selection is from Cantata BWV 147, Ich steh mit einmen Fuß im Grabe (I am standing with one foot in the grave). Bach composed this for the Third Sunday after Epiphany. It has become a popular selection for weddings.
Bach Overview
First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.
History
Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.
Style
It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.
Revival
Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an “S” (Schmieder) as an abbreviation for “BWV”.
Voyager
NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
COMPOSER
Bach
ARRANGER
James M. Guthrie, ASCAP
INSTRUMENTS
Viola and Piano
FORMAT
Score, Set of Parts
GENRES
Baroque Period, Christian, Repertoire, Easter, Recital
LEVEL
Early Intermediate
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gravações 28
- Partitura completa
- Partitura piano-vocal
- Partitura Piano-vocal
- Arranged for cello quartet
- Arioso, for guitar
- Arioso, for guitar
- Arioso, for oboe
- Arioso, for quintet recorders
- Arioso, for guitar
- Arioso, für BassBlockflöte
- Arioso, für querflöte und klavier
- Arioso, für posaune
- Arioso, for tenor recorder and guitar
- Nr.1 Sinfonia, für Klavier
- No.1 I Stand At The Threshold for Alto Clarinet & Piano
- No.1 I Stand At The Threshold for Alto Flute & Piano
- No.1 I Stand At The Threshold for Alto Sax & Piano
- No.1 I Stand At The Threshold for Clarinet & Piano
- No.1 I Stand At The Threshold for Flute & Piano
- No.1 I Stand At The Threshold for French Horn & Piano
- No.1 I Stand At The Threshold for Oboe & Piano
- No.1 I Stand At The Threshold for Oboe d'Amore & Piano
- No.1 I Stand At The Threshold for Piccolo & Piano
- No.1 I Stand At The Threshold for Soprano Sax & Piano
- No.1 I Stand At The Threshold for Trombone & Piano
- No.1 I Stand At The Threshold for Cello & Piano
- No.1 I Stand At The Threshold for Violin & Piano
- No.1 I Stand At The Threshold for Viola & Piano
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