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Quintet No.11 in E Minor

Clássico/Música de Câmara • Titulo arternativo: Dragonetti Quintet No.11
 
 
   
 

partitura completa

Título por Autor: Quintet No.11 in A Minor – Full Score

ler a lisença
6.00 USD

vendedor John Feeney
PDF, 887.4 Kb ID: SM-000181375 data do carregamento: 16 mar 2013
Instrumentação
Violino, Viola, Violoncelo, Contrabaixo
Composição para
Quinteto
Tipo de composição
Partitura completa
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
dificuldade
Advanced
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários

Solo double bass part

Título por Autor: Quintet No.11 in A Minor – Solo Double Bass Part

ler a lisença
3.00 USD

vendedor John Feeney
PDF, 471.1 Kb ID: SM-000181376 data do carregamento: 16 mar 2013
Instrumentação
Contrabaixo
Composição para
Quinteto
Tipo de composição
Parte de solo
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
dificuldade
Advanced
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários

viola parte I

Título por Autor: Quintet No.11 in A Minor – Viola 1 Part

ler a lisença
3.00 USD

vendedor John Feeney
PDF, 338.0 Kb ID: SM-000181378 data do carregamento: 16 mar 2013
Instrumentação
Viola
Composição para
Quinteto
Tipo de composição
Partes
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
dificuldade
Advanced
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários

viola parte II

Título por Autor: Quintet No.11 in A Minor – Viola 2 Part

ler a lisença
3.00 USD

vendedor John Feeney
PDF, 305.2 Kb ID: SM-000181379 data do carregamento: 16 mar 2013
Instrumentação
Viola
Composição para
Quinteto
Tipo de composição
Partes
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
dificuldade
Advanced
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários

parte do violino

Título por Autor: Quintet No.11 in A Minor – Violin Part

ler a lisença
3.00 USD

vendedor John Feeney
PDF, 340.8 Kb ID: SM-000181377 data do carregamento: 16 mar 2013
Instrumentação
Violino
Composição para
Quinteto
Tipo de composição
Partes
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
dificuldade
Advanced
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários

Cello (or double bass) part

Título por Autor: Quintet No.11 in A Minor – Basso Part

ler a lisença
3.00 USD

vendedor John Feeney
PDF, 317.2 Kb ID: SM-000181380 data do carregamento: 16 mar 2013
Instrumentação
Violoncelo, Contrabaixo
Composição para
Quinteto
Tipo de composição
Partes
chave
Mi (E) menor
movimento(s)
1 para 2 de 2
Editora
John Feeney
duração
12'0
Quintet No. 11, like Quintet No. 26, is cast in a two-movement framework. The opening movement of Quintet No. 11 is built around a lyrical triple-meter theme; the contrast between the sections of the movement is derived mainly from the A major / A minor dichotomy. This heartfelt theme is then modified to serve as the basic motivic material for the refrains of the rondo form in the C major Vivace (2 / 4). It is in this movement that the double bass has an opportunity to demonstrate its virtuosic side; the couplets of the rondo serve as vehicles through which Dragonetti would have been able to demonstrate his considerable technical prowess on the instrument. Further, in the Classical style, returns of the refrain are occasionally introduced by improvisatory Eingänge in the solo double-bass part (indicated in the score by a fermata), providing the performer with opportunities for spontaneously generated virtuosic embellishments.
  • comentários
comments John Feeney 23 mar 2013 15:15

Anyone downloading the complete set of parts will later receive an email from me containing a PDF of the solo Bass part in 11 by 17 format which alleviates page turning issues for performance. Cheers! John

comments John Feeney 23 mar 2013 15:05

sound sample from the CD Dragonetti's New Academy, Vol. ll- available through iTunes, Amazon, CDBaby, Digstation and many others- http://www.cdbaby.com/cd/johnfeeney

 
 
   
 
 
   
 
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