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para clarinete e guitarra
Título por Autor: Three Words Too Many for clarinet and guitar
Instrumentação |
Clarinete, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and fretboard symbols which would make it useful for educational purposes
para flauta e guitarra
Título por Autor: Three Words Too Many for flute and guitar
Instrumentação |
Flauta, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
For french horn and guitar
Título por Autor: Three Words Too Many for French Horn and Guitar
Instrumentação |
Trompa francesa, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
For oboe and guitar
Título por Autor: Three Words Too Many for oboe and guitar
Instrumentação |
Oboé, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
For alto saxophone and guitar
Título por Autor: Three Words Too Many for alto saxophone and guitar
Instrumentação |
Saxophone alto, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
For violin and guitar
Título por Autor: Three Words Too Many for violin and guitar
Instrumentação |
Violino, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
For cor anglais and guitar
Título por Autor: Three words too many for cor anglais and guitar
Instrumentação |
Corne Inglês, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Ano de composição |
2013 |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, cor anglais, clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
para voz e guitarra
Título por Autor: Three words too many for voice and guitar
Instrumentação |
Voz, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Editora |
David W Solomons |
dificuldade |
Medium |
duração |
2'0 |
Ano de composição |
2013 |
Gênero |
Clássico/Canção |
Three words too many ("say it in words and you cheat, you cheat the indefinable").
This was originally a song, which I wrote back in my tender years,
but I now consider that it works better as an instrumental piece.
It also works well on a wide range of instruments, so I have provided versions on MusicaNeo
for guitar with flute, alto sax, French horn, English horn (cor anglais), clarinet, oboe and violin.
After a gentle introductory major chord arpeggio, the tension of the piece comes into play from
the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar.
This note then returns as the arpeggio chords change underneath to reveal it as a minor third
of a chord related by three degrees of separation from the original - C major to E flat minor.
The harmonies and melody continue to sway in their relations in a curious and yet logical progression.
I have provided score and parts and also a version of the guitar part which provides chord names and
fretboard symbols which would make it useful for educational purposes
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