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September Summer

Clássico/Instrumental • 2013
 
 
   
 

For flute, clarinet and horn, Op.155b

Título por Autor: September Summer, 2013, for flute, clarinet and horn, Op.155b


12.50 USD

vendedor Richard Burdick
PDF, 1.34 Mb ID: SM-000191110 data do carregamento: 15 set 2013
Instrumentação
Flauta, Clarinete, Trompa francesa
Composição para
Trio
Tipo de composição
Partitura completa, Partes
Editora
I Ching Music
dificuldade
Medium
duração
5'0
This work was revised and completed in September 2013; here in Regina, SK Canada. We are having the most beautiful weather. It what I would hope for year round, but it’s September, which I seldom think of as a summer month; thus the title.

Construction:

This work is not an I Ching Scale based work. In my I Ching scale works, I usually limit myself to only the seven or eight tones of the scale. When I allow myself the freedom of no key, I enjoy not being in any key very much. Part of the playfulness of this work is it free flowing tonality.

I started with a happy and flashy motif in a pentatonic scale, and developed this work freely letting it float around where it wanted to go.

Movement two is based on the melody that is created from the polyphony of movement one measure seven through fifteen.

Movement three is a joyous presentation of the “emergent melody” from movement one measures twenty-five and twenty-six. The movement gets to the point where I didn’t want to decide what key to be in, and I think that’s okay.
  • comentários

For flute, horn and cello, Op.155c

Título por Autor: September Summer, 2013, Op.155c


12.00 USD

vendedor Richard Burdick
PDF, 2.56 Mb ID: SM-000351524 data do carregamento: 21 mar 2019
Instrumentação
Flauta, Trompa francesa, Violoncelo
Composição para
Trio
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 3 de 3
Editora
I Ching Music
dificuldade
Medium
duração
4'40
Gênero
Clássico/Música de Câmara
This work was revised and completed in September 2013; here in Regina, SK Canada. We are having the most beautiful weather. It what I would hope for year round, but it’s September, which I seldom think of as a summer month; thus the title.

Construction:

This work is not an I Ching Scale based work. In my I Ching scale works, I usually limit myself to only the seven or eight tones of the scale. When I allow myself the freedom of no key, I enjoy not being in any key very much. Part of the playfulness of this work is it free flowing tonality.

I started with a happy and flashy motif in a pentatonic scale, and developed this work freely letting it float around where it wanted to go.

Movement two is based on the melody that is created from the polyphony of movement one measure seven through fifteen.

Movement three is a joyous presentation of the “emergent melody” from movement one measures twenty-five and twenty-six. The movement gets to the point where I didn’t want to decide what key to be in, and I think that’s okay.
  • comentários
 
 
   
 
 
   
 
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