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The first light comes for alto or baritone and guitar
Clássico/Canção • 1995 • Lírico: Stanley Solomons • Titulo arternativo: Dawn in the room for alto or baritone and guitar
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The first light comes for alto or baritone and guitar
Instrumentação |
Voz, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers |
Editora |
David W Solomons |
idioma |
Inglês |
dificuldade |
Medium |
duração |
4'20 |
This is the setting of a poem by my father, inspired by a poem by Supervielle, a view of dawn in the Dorian mode in which the lover equates to the dawn light itself.
The performance is by the composer.
The first light comes,
touching the sleeping mind,
stroking the head,
confirming who it is.
Colours prick through the window pane,
with silent customary tread.
Pale light from Palestine and Java
leans over the bed and spreads.
Grey light reluctant to leave China
powders the glass
deepens its image
as you come close.
Yellow light strokes
the window pane
sombre light stains
the human comedy
sprawled on the bed.
And then the watching soul
immanent, anxious, says
"All is still well.
The substance of our days
is whole.
"No greater pain exists
than to feel pain no more,
with the soul helpless
before locked doors.
"Alas Time will arrive,
and Death deprive. “
Meanwhile I take delight
fathoming his form
guessing his contour
beneath the sheets
Sensing his blood
seeking complexity
feeling his hands fleeting
stirred by some dream;
leaving no trace
in Time or Space.
"Let me think no more thoughts
for fear he may awake.
"Let me be quieter
than the leaf that grows.
Or the rose."
(c) S N Solomons
Note: a later version of the same music to a poem written by my mother, in which the ghost of the dead lover visits the grieving person at dawn and consoles him/her, "Dawn in the room", can be found at
http://dwsolo.musicaneo.com/sheetmusic/sm-85061_dawn_in_the_room__for_alto_or_baritone_and_guitar.html
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