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Prelude and Fugue 'To Your Name'
Jazz/Instrumental • 2004
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Prelude
Título por Autor: Prelude of the Cycle "Prelude and Fuga To Your Name" (to I. S. Bach)
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
For a single performer |
chave |
Mi (E) bemol menor |
movimento(s) |
1 para 1 de 2 |
Editora |
Yekaterina Shatrova |
dificuldade |
Difficult |
For piano solo. Composer - Yekaterina Shatrova.
". Reverential and awesome composer`s attitude to the genius of the West-European music is obvious from the first notes. Creating a peculiar Bach`atmosphere, Ye.Shatrova uses allusion to the Bach`s Little Polyphonic Cycle, namely Prelude and Fugue es-moll from Volume I of «Well Tempered Clavier», one of the most symbolic and representational Bach`s compositions. The prelude begins with almost exact quotation of Bach`s theme. However, the expressive recitative is chromaticized later on, taking another colouring. There came unexpected harmonic transitions, syncopation typical for jazz, fanciful rhythm and intonation. The composer`s style is oozing through the eternal Bach`s music, coexisting in the respectful dialogue of epochs. Illusory subject, as if coming from non-existence, is change by a rapt polyphonic development section. The polyphony a la baroque, combined with swing articulation, alternates with astringent harmonic episodes, creating inner stylistic contrasts in the fugue. Thus, means of baroque polyphony in the cycle are interpreted through the individual composer`s style, getting an interesting, fresh sounding".
fuga
Título por Autor: The Fugue from the Little Polyphonic Cycle Prelude and Fugue «To Your Name»
Instrumentação |
Piano |
Composição para |
Solo |
Tipo de composição |
Partitura piano |
chave |
Mi (E) bemol menor |
movimento(s) |
2 para 2 de 2 |
Editora |
Yekaterina Shatrova |
dificuldade |
Difficult |
Reverential and awesome composer`s attitude to the genius of the West-European music is obvious from the first notes. Creating a peculiar Bach`atmosphere, Ye.Shatrova uses allusion to the Bach`s Little Polyphonic Cycle, namely Prelude and Fugue es-moll from Volume I of «Well Tempered Clavier», one of the most symbolic and representational Bach`s compositions. The prelude begins with almost exact quotation of Bach`s theme. However, the expressive recitative is chromaticized later on, taking another colouring. There came unexpected harmonic transitions, syncopation typical for jazz, fanciful rhythm and intonation. The composer`s style is oozing through the eternal Bach`s music, coexisting in the respectful dialogue of epochs. Illusory subject, as if coming from non-existence, is change by a rapt polyphonic development section. The polyphony a la baroque, combined with swing articulation, alternates with astringent harmonic episodes, creating inner stylistic contrasts in the fugue. Thus, means of baroque polyphony in the cycle are interpreted through the individual composer`s style, getting an interesting, fresh sounding.
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