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A Difficult Miracle (Mountain Songs of the Spirit) for chorus, soprano and baritone soloists, oboe, clarinet, bassoon and piano – score and parts, Op.861
Clássico/Cantata • 2010 • Lírico: Elizabeth Kirschner
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Score and parts
Título por Autor: Carson Cooman - A Difficult Miracle (Mountain Songs of the Spirit) for chorus, soprano and baritone soloists, oboe, clarinet, bassoon and piano – score and parts, Op.861
Instrumentação |
Piano, Clarinete, Fagote, Oboé, Soprano, Barítono, coro misto |
Composição para |
Solista, Quarteto, Coral |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 5 de 5 |
Editora |
Musik Fabrik |
idioma |
Inglês |
dificuldade |
Advanced |
duração |
14'0 |
A Difficult Miracle (2010), Mountain Songs of the Spirit, for soprano, baritone, chorus, and instruments, was commissioned by the First Unitarian Society in Newton, Massachusetts and is dedicated to director of music Anne Watson Born and the FUSN choir. The poems, written by American poet Elizabeth Kirschner, are filled with mountain imagery, and the woodwind instrumental scoring for the work was chosen for its evocation of traditional folk music. The music is essentially contemplative and personal in its exploration of the surrender of the spirit to the mountain landscape.
The set includes the whole score and the performance parts.
partitura
Título por Autor: Carson Cooman: A Difficult Miracle (Mountain Songs of the Spirit) for chorus, soprano and baritone soloists, oboe, clarinet, bassoon and piano – score, Op.861
Instrumentação |
Piano, Clarinete, Fagote, Oboé, Soprano, Barítono, coro misto |
Composição para |
Solista, Quarteto, Coral |
Tipo de composição |
Partitura completa |
movimento(s) |
1 para 5 de 5 |
Editora |
Musik Fabrik |
idioma |
Inglês |
dificuldade |
Advanced |
duração |
14'0 |
A Difficult Miracle (2010), Mountain Songs of the Spirit, for soprano, baritone, chorus, and instruments, was commissioned by the First Unitarian Society in Newton, Massachusetts and is dedicated to director of music Anne Watson Born and the FUSN choir. The poems, written by American poet Elizabeth Kirschner, are filled with mountain imagery, and the woodwind instrumental scoring for the work was chosen for its evocation of traditional folk music. The music is essentially contemplative and personal in its exploration of the surrender of the spirit to the mountain landscape.
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