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Dimension 20, Regeneration

Clássico/Contemporâneo • 2010
 
 
   
 

partitura

Título por Autor: Dimension 20, Regeneration - Score


5.00 USD

vendedor Nick Raspa
PDF, 0.97 Mb ID: SM-000217599 data do carregamento: 09 jan 2015
Instrumentação
Piano, Clarinete, Trompa francesa
Composição para
Trio
Tipo de composição
Partitura completa
movimento(s)
1 para 1 de 4
Editora
Nick Raspa
dificuldade
Advanced
duração
9'0
This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by "Access Contemporary Music" to be performed in a Chicago reading session by members of the contemporary music ensemble "Anaphora" and broadcast over the internet in February 2012. The work has a total duration of 9 minutes. The title makes reference to both the dodecaphonic movement in music and my family's immigration to the United States. This piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows
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B Flat clarinet part

Título por Autor: Dimension 20, Regeneration - B Flat Clarinet part


3.50 USD

vendedor Nick Raspa
PDF, 250.6 Kb ID: SM-000217602 data do carregamento: 09 jan 2015
Instrumentação
Clarinete
Composição para
Trio
Tipo de composição
Partes
movimento(s)
1 para 1 de 4
Editora
Nick Raspa
dificuldade
Advanced
duração
9'0
This is the B Flat Clarinet part for Dimension 20, Regeneration - 4 pages
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Horn in F part

Título por Autor: Dimension 20, Regeneration - Horn in F part


3.50 USD

vendedor Nick Raspa
PDF, 230.8 Kb ID: SM-000217605 data do carregamento: 09 jan 2015
Instrumentação
Trompa francesa
Composição para
Trio
Tipo de composição
Partes
movimento(s)
1 para 1 de 4
Editora
Nick Raspa
dificuldade
Advanced
duração
9'0
This is the Horn in F part for Dimension 20, Regeneration - 4 pages
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parte piano

Título por Autor: Dimension 20, Regeneration - Piano part


3.50 USD

vendedor Nick Raspa
PDF, 286.6 Kb ID: SM-000217606 data do carregamento: 09 jan 2015
Instrumentação
Piano
Composição para
Trio
Tipo de composição
Partes
movimento(s)
1 para 1 de 4
Editora
Nick Raspa
dificuldade
Advanced
duração
9'0
This is the piano part for Dimension 20, Regeneration - 8 pages
  • comentários

Score, parts

Título por Autor: Dimension 20, Regeneration (Full Set)


9.95 USD

vendedor Nick Raspa
PDF, 1.28 Mb ID: SM-000247248 data do carregamento: 02 mai 2016
Instrumentação
Piano, Clarinete, Trompa francesa
Composição para
Trio
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 4 de 4
Editora
Nick Raspa
dificuldade
Advanced
duração
9'0
Gênero
Clássico/Música de Câmara
This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by "Access Contemporary Music" to be performed in a Chicago reading session by members of the contemporary music ensemble "Anaphora" and broadcast over the internet in February 2012. This atonal work has a total duration of 9 minutes. The title makes reference to both the dodecaphonic movement in music from the early 20th Century and my immigrant family's immigration to the United States during the very early part of the 20th Century. This piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows
  • comentários
 
 
   
 
 
   
 
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