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Chamber Symphony No.5 'The Unimaginable', Op.124
Clássico/Sinfonia musical • 2002
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partitura
Título por Autor: Chamber Symphony No.5 'The Unimaginable' - Score, Op.124
Instrumentação |
Piano, Clarinete, Fagote, Trompa francesa, Violino, Viola, Violoncelo, Contrabaixo, Marimba |
Composição para |
Orquestra de Câmara |
Tipo de composição |
Partitura completa |
movimento(s) |
1 para 4 de 4 |
Editora |
I Ching Music |
duração |
20'0 |
You can watch the demo here:
https://www.youtube.com/watch?v=_kTIBGBHNHU
For clarinet, bassoon, 3 natural horns. marimba, piano and strings
The first movement "Moderato" was written in 2002. In 2015 when I spent a few months organizing my chamber symphonies, I wrote the final three movements. Taking inspiration from the contrasting keys of the natural horns, the mixing of the harmonies is quite interesting.
I tried to keep the horn parts quite simplpe.
Movement two was written in 2015.
Movement three was constructed by finding the consonant harmonies resulting from the harmonic series' of the three different natural horn keys. It is titled "Thirty-Three Rising" because it has around 33 simple overlapping arpegios. In a key of A. Written in 2015.
Movement four is a fugue.
Performance notes:
There are quite a lot of fast polyrythyms it this work. I don't expect much more than tremelos in the faster groups of these.
partes
Título por Autor: Chamber Symphony No.5 'The Unimaginable' - Parts, Op.124
Instrumentação |
Piano, Clarinete, Fagote, Trompa francesa, Violino, Viola, Violoncelo, Contrabaixo, Marimba |
Composição para |
Orquestra de Câmara |
Tipo de composição |
Partes |
movimento(s) |
1 para 4 de 4 |
Editora |
I Ching Music |
dificuldade |
Advanced |
duração |
20'0 |
You can watch the demo here:
https://www.youtube.com/watch?v=_kTIBGBHNHU
For clarinet, bassoon, 3 natural horns. marimba, piano and strings
The first movement "Moderato" was written in 2002. In 2015 when I spent a few months organizing my chamber symphonies, I wrote the final three movements. Taking inspiration from the contrasting keys of the natural horns, the mixing of the harmonies is quite interesting.
I tried to keep the horn parts quite simplpe.
Movement two was written in 2015.
Movement three was constructed by finding the consonant harmonies resulting from the harmonic series' of the three different natural horn keys. It is titled "Thirty-Three Rising" because it has around 33 simple overlapping arpegios. In a key of A. Written in 2015.
Movement four is a fugue.
Performance notes:
There are quite a lot of fast polyrythyms it this work. I don't expect much more than tremelos in the faster groups of these.
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