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Three Fugues
Clássico/Fuga • 1965 • Titulo arternativo: Trois Fugues
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For two Bb trumpets, horn and trombone (tuba)
Título por Autor: Thérèse Brenet: Three Fugues for two Bb trumpets, horn and trombone (tuba)
Instrumentação |
Trompa francesa, Trombone, Trombeta |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 3 de 3 |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For SATB saxophone quartet
Título por Autor: Thérèse Brenet: Three Fugues for SATB saxophone quartet
Instrumentação |
Saxophone alto, Saxofone Tenor, Saxofone Barítono, Saxofone soprano |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 3 de 3 |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
For flute (oboe), Bb clarinet, horn and bassoon
Título por Autor: Thérèse Brenet: Three Fugues for flute (oboe), Bb clarinet, horn and bassoon
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Trompa francesa |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 3 de 3 |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
13'30 |
These three fugues were originally written when Thérèse Brenet participated in the Prix de Rome during 1963 to 1965 (the year where she was awarded the Prix de Rome). They were recently taken out of her archives and arranged for various ensembles, so that these pieces could have another life outside of their original intent.
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