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Ov Kami

Clássico/Contemporâneo • 2005 • Lírico: old sacred text • Titulo arternativo: Ov Kami - Wie hartstochtelijk verlangt, for S solo, SSAA & SAATB with snaredrum, chimes, gong and triangle
 
 
   
 

For S solo, SSAA & SAATB with snare drum, chimes, gong and triangle

Título por Autor: Ov Kami for S solo, SSAA & SAATB with snare drum, chimes, gong and triangle

ler a lisença
12.00 USD

vendedor Hans Bakker
PDF, 303.6 Kb ID: SM-000256406 data do carregamento: 28 set 2016
Instrumentação
Tarola, Gongo, Triângulo, Soprano, coro misto, Coro feminino
Composição para
Coral
Tipo de composição
Partitura completa
chave
Polytonal
Editora
Hans Bakker
idioma
Armênio, Holandês
dificuldade
Advanced
duração
5'40
Ov Kami (Armenian) - Wie hartstochtelijk verlangt (Dutch). The first part (A) of this work with the mystical Armenian text of Konstandin (13th century) is for female choir SSAA with soprano solo and percussion. The second part (B) with Dutch text is for mixed choir SAATB and percussion. Whereupon da capo A. On pagina 1 you find the complete Dutch & Armenian text; last also phonetic. This choir is nr. 9 in my Cycle of Choirs Praśasti. Note: It is possible to sing the A part as an independent work for female choir. In that case '2da volta con/senza repitizione' does not apply!
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For S solo and SSAA with percussion

Título por Autor: Ov Kami, for S solo and SSAA with percussion

ler a lisença
4.98 USD

vendedor Hans Bakker
PDF, 310.8 Kb ID: SM-000256407 data do carregamento: 28 set 2016
Instrumentação
Tarola, Glockenspiel, Soprano, Coro feminino
Composição para
Coral
Tipo de composição
Partitura completa
chave
Polytonal
Editora
Hans Bakker
idioma
Armênio
dificuldade
Advanced
duração
1'50
Ov Kami, for S solo and SSAA with Snare Drum (brushes) and Glockenspiel is based on the mystical Armenian text of Konstandin (13th century). Originally it is the first part (A) of a work, whose second part (B) was written with the Dutch translation text for mixed choir SAATB and percussion. On pagina 0 you find the complete Armenian text and phonetics (as well as the Dutch translation). Note: when this work is only performed as female choir, the remarks '2da volta con/senza repitizione' and the indication 3/4 at Fine do not apply!
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