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Score and parts
Título por Autor: Time to Live and Time to Die, suite for the symphonic orchestra after Remarque's perusal (score and parts), Op.27
Instrumentação |
Celesta, Flauta, Flauta piccolo, Clarinete, Fagote, Oboé, Corne Inglês, Trombone baixo, Trombone tenor, Trompa francesa, Trombeta, Tuba, Violino, Viola, Violoncelo, Contrabaixo, Harpa, Sinos tubulares, Tarola, Glockenspiel, Timbales, Vibrafone, Xilofone, Címbalos, Tantã, Contrafagote, Clarinete baixo |
Composição para |
Orquestra Sinfônica |
Tipo de composição |
Partitura completa, Partes |
chave |
Lá (A) menor |
movimento(s) |
1 para 5 de 5 |
Arrajador |
Vyacheslav Kruglik |
Editora |
Vyacheslav Kruglik |
dificuldade |
Difficult |
duração |
13'27 |
Suite "a Time to live and a time to die" was written under the impression of one of the anti-war novels of E. M. Remarque. The composition has a concentric form. I and V parts — the beginning and the tragic outcome of war. II and IV — the front and rear. However, this is only terms borrowed from the lexicon of the military. In fact, they are almost indistinguishable from each other: all the death of innocent people, destruction, crippled fate, the fear. In the center of the Suite (III part) — the very bright beginning, which, in spite of all this, able to save people.
Time to Live and Time to Die
Título por Autor: Time to Live and Time to Die, suite for the symphonic orchestra after Remarque's perusal (only score), Op.27
Instrumentação |
Celesta, Flauta, Flauta piccolo, Clarinete, Fagote, Oboé, Corne Inglês, Trompa francesa, Trombone, Trombeta, Tuba, Violino, Viola, Violoncelo, Contrabaixo, Harpa, Sinos tubulares, Tarola, Glockenspiel, Timbales, Vibrafone, Címbalos, Tantã, Contrafagote, Bombo, Clarinete baixo |
Composição para |
Orquestra Sinfônica |
Tipo de composição |
Partitura completa |
chave |
Lá (A) menor |
movimento(s) |
1 para 5 de 5 |
Arrajador |
Vyacheslav Kruglik |
Editora |
Vyacheslav Kruglik |
dificuldade |
Difficult |
duração |
13'27 |
Suite "a Time to live and a time to die" was written under the impression of one of the anti-war novels of E. M. Remarque. The composition has a concentric form. I and V parts — the beginning and the tragic outcome of war. II and IV — the front and rear. However, this is only terms borrowed from the lexicon of the military. In fact, they are almost indistinguishable from each other: all the death of innocent people, destruction, crippled fate, the fear. In the center of the Suite (III part) — the very bright beginning, which, in spite of all this, able to save people.
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