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Too Upset for Words

Clássico/Peça • 2003
 
 
   
 

For clarinet in Bb, guitar and piano

Título por Autor: Carson Cooman: Too Upset for Words (2003) for clarinet in Bb, guitar and piano


11.95 USD

vendedor Musik Fabrik
PDF, 205.0 Kb ID: SM-000295486 data do carregamento: 28 ago 2017
Instrumentação
Piano, Clarinete, Guitarra clássica
Composição para
Trio
Tipo de composição
Partitura completa
movimento(s)
1 para 2 de 2
Editora
Musik Fabrik
dificuldade
Advanced
duração
6'0
TToo Upset for Words (2003) for clarinet in Bb, guitar, and piano was commissioned by and is dedicated to Aris Carastathis and the Lakehead University New Music Ensemble.

The work is cast in two very short movements that use the same basic musical material. The work contrasts lyrical gestures with ones of extreme violence -- all derived from the same musical sources.

The first movement, Rages, continually brings back a loud piano crash. Out of the harmonics of this sound come the clarinet and guitar's material.

The second movement, Reflections, freely explores some of the gestures of the first movement. The pitches of the musical ideas become deconstructed -- existing only as pitch entities in a free section.

The score is used for all three players, hence, in buying this file, three copies may be printed.
  • comentários

For alto saxophone, guitar and piano

Título por Autor: Carson Cooman: Too Upset for Words (2003) for alto saxophone, guitar and piano


11.95 USD

vendedor Musik Fabrik
PDF, 208.5 Kb ID: SM-000295487 data do carregamento: 28 ago 2017
Instrumentação
Piano, Saxophone alto, Guitarra clássica
Composição para
Trio
Tipo de composição
Partitura completa
movimento(s)
1 para 2 de 2
Editora
Musik Fabrik
dificuldade
Advanced
duração
6'0
TToo Upset for Words (2003) for alto saxophone, guitar, and piano was commissioned by and is dedicated to Aris Carastathis and the Lakehead University New Music Ensemble.

The work is cast in two very short movements that use the same basic musical material. The work contrasts lyrical gestures with ones of extreme violence -- all derived from the same musical sources.

The first movement, Rages, continually brings back a loud piano crash. Out of the harmonics of this sound come the clarinet and guitar's material.

The second movement, Reflections, freely explores some of the gestures of the first movement. The pitches of the musical ideas become deconstructed -- existing only as pitch entities in a free section.

The score is used for all three players, hence, in buying this file, three copies may be printed.
  • comentários
 
 
   
 
 
   
 
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