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Ancient Airs (2004)

Clássico/Peça • 2005
 
 
   
 

For solo soprano saxophone

Título por Autor: Carson Cooman: Ancient Airs (2004) for solo soprano saxophone


11.95 USD

vendedor Musik Fabrik
PDF, 202.4 Kb ID: SM-000295502 data do carregamento: 29 ago 2017
Instrumentação
Saxofone soprano
Composição para
Solo
Tipo de composição
For a single performer
movimento(s)
1 para 2 de 2
Editora
Musik Fabrik
dificuldade
Advanced
duração
8'0
Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated to saxophonist Paul Wehage. It is in two movements, each with a spirit of "ancient airs" re-imagined in a modern context. The ancestry of most woodwind instruments as folk instruments is the inspiration for the work's concept. The piece should always be played with a lyrical, singing approach.
Beyond the Mountain uses as its basic musical material a simple transformation of a modal melody in D minor. Gradually tones are added borrowed from other modalities. The opening section is slow and lyrical. The middle section is more
active -- contrasting the D minor chord tones with the added diminished tones of the first section. The final section recalls the material of the opening with a wider transformation.
Forgotten Incantation uses a wider modal language than the first movement.
Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.
  • comentários

For solo flute

Título por Autor: Carson Cooman: Ancient Airs (2004) for solo flute


11.95 USD

vendedor Musik Fabrik
PDF, 203.3 Kb ID: SM-000295505 data do carregamento: 29 ago 2017
Instrumentação
Flauta
Composição para
Solo
Tipo de composição
For a single performer
movimento(s)
1 para 2 de 2
Editora
Musik Fabrik
dificuldade
Advanced
duração
8'0
Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa. It is in two movements, each with a spirit of "ancient airs" re-imagined in a modern context. The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept. They should always be played with a lyrical, singing approach.

Beyond the Mountain uses as its basic musical material a simple transformation of a modal melody in D minor. Gradually tones are added borrowed from other modalities. The opening section is slow and lyrical. The middle section is more active -- contrasting the D minor chord tones with the added diminished tones of the first section. The final section recalls the material of the opening with a wider transformation.

Forgotten Incantation uses a wider modal language than the first movement. Although still generally slow and song-like, it is more energetic. Energetic gestures interrupt and drive the song narrative forwards.
  • comentários
 
 
   
 
 
   
 
0:00 Carson Cooman: Ancient Airs (2004) for solo soprano saxophone
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