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Bass Soonest
Clássico/Instrumental • 2008
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For bassoon quartet
Título por Autor: Bass Soonest - Bassoon Quartet
Instrumentação |
Fagote, Contrafagote |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
2'8 |
This is a bassoon quartet which came to one restless morning at 6:00am.
it's a jolly little number with a calypso feel that would make a great finisher for a concert or recital. Each part gets a go at the main melody and it is within the capabilities of most players.
Part 4 can be either a regular bassoon or a contra if one is available.
For low brass quartet
Título por Autor: Bass Soonest - Low Brass Quartet
Instrumentação |
Barítono, Eufónio, Tuba, Bass Tuba |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Si (B) bemol maior |
movimento(s) |
1 para 1 de 1 |
Editora |
Mike Lyons |
dificuldade |
Medium |
duração |
2'8 |
This is a transcription of my bassoon quartet onto brass. It works really well with 2 euphoniums and 2 Eb Tubas.
it's a jolly little number with a calypso feel that would make a great finisher for a concert or recital. Each part gets a go at the main melody and it is within the capabilities of most players.
Parts are supplied as follows:
Part 1 in Bb/C(Treble/Bass clefs)
Part 2 in Bb/C(Treble/Bass clefs)
Part 3 in Eb/C(Treble/Bass clefs)
Part 4 in Eb/C/Bb(Treble/Bass/Treble clefs)
para quarteto de saxofone
Título por Autor: Bass Soonest - Saxophone Quartet
Instrumentação |
Saxofone Tenor, Saxofone Barítono, Saxofone baixo, Contrabass Saxophone |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Ré (D) maior |
movimento(s) |
1 para 1 de 1 |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
2'8 |
This is a transcription of my bassoon quartet onto saxophones. It works really well with 2 tenors a baritone and a (contra)bass.
it's a jolly little number with a calypso feel that would make a great finisher for a concert or recital. Each part gets a go at the main melody and it is within the capabilities of most players.
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