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Horn Piece
Clássico/Música de Câmara • 2018
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For horn quartet
Título por Autor: Horn Piece - Horn Quartet
Instrumentação |
Trompa francesa |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
6'16 |
Original horn quartet inspired by a conversation about writing for horns. There are three movements.
The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.
The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.
The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the 4th horn at the end.
This is a really enjoyable and exciting new addition to the horn quartet repertoire.
For bassoon quartet
Título por Autor: Horn Piece – Bassoon Quartet
Instrumentação |
Fagote, Contrafagote |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
6'16 |
Ano de composição |
2019 |
Gênero |
Clássico/Instrumental |
An original horn quartet inspired by a conversation about writing for horns. There are three movements. After some time, I decided to see if this would work well on woodwinds and lo and behold, it sits really nicely on bassoon.
The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.
The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.
The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the Contra at the end.
This is a really enjoyable and exciting new addition to the Bassoon quartet repertoire.
For low brass quartet
Título por Autor: Horn Piece – Low Brass Quartet
Instrumentação |
Eufónio, Tuba, Bass Tuba |
Composição para |
Quarteto |
Tipo de composição |
Partitura completa, Partes |
chave |
Si (B) bemol maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Mike Lyons |
Editora |
Mike Lyons |
dificuldade |
Advanced |
duração |
6'16 |
Ano de composição |
2019 |
Originally a horn quartet inspired by a conversation about writing for horns. There are three movements.
The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.
The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.
The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the lower tuba at the end.
Enjoy.
This is a really enjoyable and exciting new addition to the low brass quartet repertoire.
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