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For two oboes and cembalo (or piano)
Título por Autor: Albinoni - Oboe Concerto No.9 in C major for Two Oboes and Cembalo (or Piano), Op.9
Instrumentação |
Cravo, Oboé |
Composição para |
Trio |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Santino Cara |
Editora |
Santino Cara |
dificuldade |
Medium |
duração |
10'50 |
Complete score and parts of the "Oboe Concerto No.9 in C major" for Two Oboes and Cembalo. Transcribed by Santino Cara fro "12 Comcertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio ma non troppo, 3. Allegro
Score and parts
Título por Autor: Albinoni - Oboe Concerto No.9 in C major for Two Oboes, Strings and Cembalo, Op.9
Instrumentação |
Cravo, Oboé, Violino, Viola, Violoncelo, Contrabaixo |
Composição para |
Dueto, Orquestra de Câmara |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Santino Cara |
Editora |
Santino Cara |
dificuldade |
Medium |
duração |
10'46 |
Complete core and parts of the "Oboe Concerto No.9" in C major for Two Oboes, Strings and Cembalo. Reconstructed and elaborated by Santino Cara from "12 Concertos Op.9" by Tomaso Albinoni.
Movements: 1. Allegro, 2. Adagio ma non troppo, 3. Allegro
Source: This concert was rebuilt from the first edition of 1722 published in Amsterdam by the publisher Michel-Charles Le Cène.
Score and parts
Título por Autor: Albinoni T. 2 Oboes concerto C-Dur - Score & Parts, Op.9 Nr.9
Instrumentação |
Oboé, Violino, Viola, Violoncelo, Contrabaixo |
Composição para |
Solista, Orquestra de Cordas |
Tipo de composição |
Partitura completa, Partes, Parte de solo |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
partituras completas, partes
Título por Autor: Concerto for Two Oboes and String Orchestra in C Major, Op.9 No.9
Instrumentação |
Oboé, Violino, Viola, Violoncelo, Contrabaixo |
Composição para |
Solista, Orquestra de Cordas |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Don Werdick |
Editora |
Chamber Ensemble of Minnesota, Inc. |
dificuldade |
Advanced |
duração |
10'35 |
Ano de composição |
1722 |
Complete score and parts of the "Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra ", composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation.
Movements: 1. Allegro 2. Adagio Legato 3. Allegro
Time: 10 minutes, 35 seconds
Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation.
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Solo parts
Título por Autor: Concerto for Two Oboes in C Major, Op.9 No.9
Instrumentação |
Oboé |
Composição para |
Solista, Orquestra de Cordas |
Tipo de composição |
Parte de solo |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Don Werdick |
Editora |
Chamber Ensemble of Minnesota, Inc. |
dificuldade |
Advanced |
duração |
10'35 |
Ano de composição |
1722 |
Oboe I and II parts, plus Oboe score of the "Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra", composed/first edition in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio Legato 3. Allegro
Time: 10 minutes, 35 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for two english horns and string orchestra
Título por Autor: Concerto for Two English horns and String Orchestra in C Major, Op.9 No.9
Instrumentação |
Corne Inglês, Violino, Viola, Violoncelo, Contrabaixo |
Composição para |
Solista, Orquestra de Cordas |
Tipo de composição |
Partitura completa, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Don Werdick |
Editora |
Chamber Ensemble of Minnesota, Inc. |
dificuldade |
Advanced |
duração |
10'35 |
Ano de composição |
1722 |
Complete score and parts for the English horn arrangement of the "Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra ", composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes English horn I & II score, English horn I & II separate parts and Double Bass part with figured bass notation.
Movements: 1. Allegro 2. Adagio Legato 3. Allegro
Time: 10 minutes, 35 seconds
Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation.
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
The English horn I & II arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
Version for two english horns and string orchestra – solo part
Título por Autor: Concerto for Two English horns in C Major, Op.9 No.9
Instrumentação |
Corne Inglês |
Composição para |
Solista, Orquestra de Cordas |
Tipo de composição |
Score for two performers, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 3 de 3 |
Arrajador |
Don Werdick |
Editora |
Chamber Ensemble of Minnesota, Inc. |
dificuldade |
Advanced |
duração |
10'35 |
Ano de composição |
1722 |
English horn I and II parts and soloists score of the English horn arrangement for the "Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra", composed/first edition in 1722 by T. Albinoni, arranged by D Werdick.
Movements: 1. Allegro 2. Adagio Legato 3. Allegro
Time: 10 minutes, 35 seconds
During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.
This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
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