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Nocturne

Clássico/Contemporâneo • 2003
 
 
   
 

For flute, oboe, cello and piano, Op.20

Título por Autor: Nocturne for flute, oboe, cello and piano, Op.20


20.00 USD

PDF, 1.06 Mb ID: SM-000338823 data do carregamento: 30 jul 2018
Instrumentação
Piano, Flauta, Oboé, Violoncelo
Composição para
Quarteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 7 de 7
Editora
Panagiotis Theodossiou
dificuldade
Difficult
duração
13'0
“Nocturne”, for flute, oboe (or clarinet), cello and piano (2003).
An extended dodecaphonic work in the form of theme and variations. Its mystic mood (like a all night long ritual) follows the strict composing process. It is divided in seven parts: Theme, Var. I – V, and Epilogue. The 5th Variation is a greek dance (Danza alla Greca).
Because of the demanding and soloistic part of the cello, the work could be a concertino for this instrument. The performance took place at the “Hellenic American Union” Theatre by the Hellenic Ensemble for Contemporary Music under Iakovos Konitopoulos.
  • comentários

For flute, clarinet, cello and piano, Op.20b

Título por Autor: Nocturne for flute, clarinet, cello and piano, Op.20b


20.00 USD

PDF, 1.12 Mb ID: SM-000338828 data do carregamento: 30 jul 2018
Instrumentação
Piano, Flauta, Clarinete, Violoncelo
Composição para
Quarteto
Tipo de composição
Partitura completa, Partes
movimento(s)
1 para 7 de 7
Editora
Panagiotis Theodossiou
dificuldade
Difficult
duração
13'0
“Nocturne”, for flute, oboe (or clarinet), cello and piano (2003). An extended dodecaphonic work in the form of theme and variations. Its mystic mood (like a all night long ritual) follows the strict composing process. It is divided in seven parts: Theme, Var. I – V, and Epilogue. The 5th Variation is a greek dance (Danza alla Greca).
Because of the demanding and soloistic part of the cello, the work could be a concertino for this instrument. The performance took place at the “Hellenic American Union” Theatre by the Hellenic Ensemble for Contemporary Music under Iakovos Konitopoulos.
  • comentários
 
 
   
 
 
   
 
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