Mohamed Abdelwahab Abdelfattah

El-Muled Ostinato for Orchestra and Choir, Op.71a

World / Etnico • 2018 • Titulo arternativo: 'Wahda wi Nos' Ostinato

El-Muled Ostinato for Orchestra and Choir

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El-Muled Ostinato for Orchestra and Choir, Op.71a: El-Muled Ostinato for Orchestra and Choir by Mohamed Abdelwahab Abdelfattah

Sheet music file
100.00 USD

Arquivo de partitura musical incluindo uma licença para um número limitado de apresentaçoes, limitado por um ano ler a lisença
1000.00 USD

Arquivo de partitura musical incluindo uma licença para um número ilimitado de apresentaçoes, limitado por um ano ler a lisença
1500.00 USD

vendedor Mohamed Abdelwahab Abdelfattah

PDF, 7.03 Mb ID: SM-000347906 data do carregamento: 23 fev 2019

Instrumentação	Flauta, Clarinete, Fagote, Oboé, Trombone baixo, Trompa francesa, Trombeta, Tuba, Violino, Viola, Violoncelo, Contrabaixo, Marimba, Timbales, coro misto, Clarinete baixo, Bateria
Composição para	Coral, Orquestra Sinfônica
Tipo de composição	Partitura completa, Partes
chave	Lá (A) menor
movimento(s)	1 para 1 de 1
Editora	Mohamed Abdelwahab Abdelfattah
dificuldade	Difficult
duração	14'5

Ostinato
(El- Muled)

Op. 71 a
For
composition by Mohamed Abdelwahab Abdelfttah for Orchestra and Choir (SATB)
The work is written based on an Egyptian dance rhythm ostinato called pattern "Wahda wi Nos" which means in Arabic "One and Half". In this Arabic rhythmic ostinato, there is a strong beat (also dark tone color) called "Dum" and the weak beat (also bright tone color) called "Tak" . Tuba, contrabass, bassoon and un-pitched percussion (Req and drum set), are mostly played to provide accents and to maintain the Arabic rhythmic ostinato. Req and drum set are written in just skeleton lines of the Egyptian Ostinato. This means the percussionists should play in such a way as to add and create some rhythmic ornamental details. The choral singers sing always in Vocalize tones. The composition is written in three parts (ternary form). The middle section (m. 280, letter (G), till measure 333, measure before letter (H), has to be played in somewhat free ad libitum to achieve an effect typical of Arabic music. Also, the musicians should enrich the melody with exaggerating their use of vibrato and the articulation of legato and portamento as in traditional Arabic music performing.

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