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Six Sonatas for Violin and Keyboard, BWV 1014-1019
Clássico/Sonata • Titulo arternativo: Sechs Sonaten für Violine und Cembalo
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partitura, parte solo
Título por Autor: 6 sonatas and partita in E Major, BWV 1014-1019
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
Score, Parte de solo
Título por Autor: Six Sonatas for Violin and Harpsichord (or Piano), BWV 1014-1019
Instrumentação |
Piano, Cravo, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
movimento(s) |
1 para 6 de 6 |
dificuldade |
Advanced |
partitura, parte solo
Título por Autor: Bach - 6 Sonatas for Flute and Harpsichord or Piano, BWV 1014/19
Instrumentação |
Cravo, Flauta |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
movimento(s) |
1 para 6 de 6 |
Arrajador |
Santino Cara |
Editora |
Santino Cara |
dificuldade |
Advanced |
Complete scores and part of the "Six Sonatas BWV 1014/19" for Flute and Harpsichord or Piano. Transcribed by Santino Cara from the "Six Violin Sonatas" composed in Cöthen by Johann Sebastian Bach between 1717 and 1723.
Sonatas:
Sonata No.1 in B minor BWV 1014
Sonata No.2 in A major BWV 1015
Sonata No.3 in E major BWV 1016
Sonata No.4 in C minor BWV 1017
Sonata No.5 in F minor BWV 1018
Sonata No.6 in G major BWV 1019
parte Solo
Título por Autor: Six Sonatas for Violin (or Viola) and Keyboard – Viola Part, BWV 1014-1019
Instrumentação |
Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers |
Arrajador |
Friedrich Hermann |
Editora |
Breitkopf und Härtel |
dificuldade |
Advanced |
Gênero |
Clássico/Arranjo |
Arrangement for soprano saxophone and keyboard
Título por Autor: J. S. Bach: Six Sonatas, arranged for soprano saxophone and keyboard by Paul Wehage, BWV 1014-1019
Instrumentação |
Piano, Saxofone soprano |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
movimento(s) |
1 para 20 de 20 |
Arrajador |
Paul Wehage |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
75'0 |
Ano de composição |
1720 |
n 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites.
The first five sonatas are in the four movement “Church Sonata” style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata” texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
The Sonata number 6 which is in a five movement form, including a central movement for Solo Keyboard. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata” texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.
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