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I Kairos. Edition for violin and piano
Título por Autor: Violin Concerto Kairos for violin and orchestra. I Kairos. Edition for violin and piano
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Polytonal |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
10'40 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. Kairos (Gr.) means the right moment or favorable opportunity. In the mythology of Greek antiquity, he was the personification of it. He served the cosmic order in his own way: grab the right moment when it comes. The music moves through many tonalities, but ends in g minor.
II Panta rhei. Edition for violin and piano
Título por Autor: Violin Concerto Kairos for violin and orchestra. II Panta rhei. Edition for violin and piano
Instrumentação |
Piano, Violino |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Polytonal |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
9'27 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. Panta rhei (Gr., Herakleitos ± 500 b.C.) means: earthly reality is like water: everything flows, is moving. D. Schneiderfranken says that Panta rhei can be seen as nature becoming. The music moves through many tonalities, but ends here in d minor.
III Ananke. Edition for violin and piano
Título por Autor: Violin Concerto Kairos for violin and orchestra. III Ananke. Edition for violin and piano
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
9'28 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. "How high for the ancient Greeks their gods may have stood, yet the sages of those days knew an even higher, mysterious principle, to which they even thought their gods subordinate: Ananke (Gr.), Necessity. The highest spiritual ordering principle in man and in all life." (Bô Yin Râ) Is similar to the cosmic Order - Rta (Sanskrit) - in Vedic mythology. The music (A) starts violently and full of life in F maj., then changes into a canon-like ballad (B) of the violin: ad libitum followed by a Kadenza (C) in which elements from I Kairos and II Panta rhei. Ananke ends with the repeat of A.
I Kairos – score
Título por Autor: Violin Concerto Kairos for violin and orchestra. I Kairos
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Trompa francesa, Trombone, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Tarola, Timbales, Percussão |
Composição para |
Solo, Orquestra Sinfônica |
Tipo de composição |
Partitura completa |
chave |
Sol (G) menor |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
10'50 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. Kairos (Gr.) means the right moment or favorable opportunity. In the mythology of Greek antiquity, he was the personification of it. He served the cosmic order in his own way: grab the right moment when it comes. The music moves through many tonalities, but ends in g minor.
II Panta rhei – score
Título por Autor: Violin Concerto Kairos for violin and orchestra. II Panta rhei
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Corne Inglês, Trompa francesa, Trombone, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Tarola, Timbales, Bombo |
Composição para |
Solo, Orquestra Sinfônica |
Tipo de composição |
Partitura completa |
chave |
Ré (D) menor |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
9'27 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. Panta rhei (Gr., Herakleitos ± 500 b.C.) means: earthly reality is like a flowing river: always moving and renewing itself. Always different every moment, and yet the same river. Datti Schneiderfranken says that Panta rhei can be seen as 'nature becoming'. Likewise the music - after the multi-colored Introduction with two themes, a new melody starts with a kind of Passacaglia, like a waterfall that gets bigger and bigger, and in which all melodies tumble over each other. But moving through many tonalities, it ends with an ecstatic violin, above a gamelan orchestra structure, in d minor.
III Ananke – score
Título por Autor: Violin Concerto Kairos for violin and orchestra. III Ananke
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Trompa francesa, Trombone, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Tarola, Timbales, Pandeireta, Bombo, Caixa Chinesa |
Composição para |
Solo, Orquestra Sinfônica |
Tipo de composição |
Partitura completa |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
9'31 |
Violin Concerto KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. "How high for the ancient Greeks their gods may have stood, yet the sages of those days knew an even higher, mysterious principle, to which they even thought their gods subordinate: Ananke (Gr.), Necessity. The highest spiritual ordering principle in man and in all life." (Bô Yin Râ) Is similar to the cosmic Order - Rta (Sanskrit) - in Vedic mythology. The music (A) starts violently and full of life in F maj., then changes into a canon-like ballad (B) of the violin: ad libitum followed by a Kadenza (C) in which elements from I Kairos and II Panta rhei. Ananke ends with the repeat of (A).
All parts of I, II and III
Título por Autor: Violin Concerto Kairos for violin and orchestra – All Parts of I, II and III
Instrumentação |
Flauta, Clarinete, Fagote, Oboé, Corne Inglês, Trompa francesa, Trombone, Trombeta, Violino, Viola, Violoncelo, Contrabaixo, Tarola, Timbales, Pandeireta, Bombo, Caixa Chinesa |
Composição para |
Solo, Orquestra Sinfônica |
Tipo de composição |
Partes |
chave |
Polytonal |
movimento(s) |
1 para 3 de 3 |
Editora |
Hans Bakker |
dificuldade |
Difficult |
duração |
30'30 |
VIOLIN CONCERTO KAIROS exists of three movements: I Kairos, II Panta rhei and III Ananke, each of which can be performed as concert piece itself, but also all three together as the complete concert. FOR THE DESCRIPTION: SEE EACH OF THEM SEPARATELY. SAME with regard to PREVIEWS, SOUND SAMPLES and ORCHESTRA INSTRUMENTS.
Hans Bakker 24 mai 2019 12:27
“All life in the physical-sensory and in the spiritual cosmos is expressed as movement. All life, however, takes shape. ” Joseph Anton Schneiderfranken / Bo Yin Ra, The Book of Beyond. I hope that this music thus created works as a memory aid (aide-memoires).
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