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For Alto Clarinet & Piano
Título por Autor: Bach-Gounod: Ave Maria for Alto Clarinet and Piano
Instrumentação |
Piano, Clarineta Alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria for Alto Flute and Piano
Instrumentação |
Piano, Alto Flute |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria for Alto Sax and Piano
Instrumentação |
Piano, Saxophone alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Clarinet & Piano
Título por Autor: Bach-Gounod: Ave Maria for Bass Clarinet and Piano
Instrumentação |
Piano, Clarinete baixo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria for Bass Flute and Piano
Instrumentação |
Piano, Flauta baixo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria for Baritone Horn and Piano
Instrumentação |
Piano, Barítono |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bassoon & Piano
Título por Autor: Bach-Gounod: Ave Maria for Bassoon and Piano
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano, S0.661791. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria for Baritone Sax and Piano
Instrumentação |
Piano, Saxofone Barítono |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Clarinet & Piano
Título por Autor: Bach-Gounod: Ave Maria for Clarinet and Piano
Instrumentação |
Piano, Clarinete |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano, S0.661803. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For English Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria for English Horn and Piano
Instrumentação |
Piano, Corne Inglês |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for English Horn & Piano, S0.661819. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Euphonium & Piano
Título por Autor: Bach-Gounod: Ave Maria for Euphonium and Piano
Instrumentação |
Piano, Eufónio |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria for Flute and Piano
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For French Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria for French Horn and Piano
Instrumentação |
Piano, Trompa francesa |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe & Piano
Título por Autor: Bach-Gounod: Ave Maria for Oboe and Piano
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano - S0.661853. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe d'Amore & Piano
Título por Autor: Bach-Gounod: Ave Maria for Oboe d'Amore and Piano
Instrumentação |
Piano, Oboé d'amore |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Piccolo & Piano
Título por Autor: Bach-Gounod: Ave Maria for Piccolo and Piano
Instrumentação |
Piano, Flauta piccolo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Soprano Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria for Soprano Sax and Piano
Instrumentação |
Piano, Saxofone soprano |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trumpet & Piano
Título por Autor: Bach-Gounod: Ave Maria for Trumpet and Piano
Instrumentação |
Piano, Trombeta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trumpet & Piano - S0.662013. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trombone & Piano
Título por Autor: Bach-Gounod: Ave Maria for Trombone and Piano
Instrumentação |
Piano, Trombone |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Tenor Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria for Tenor Sax and Piano
Instrumentação |
Piano, Saxofone Tenor |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Cello & Piano
Título por Autor: Bach-Gounod: Ave Maria for Cello and Piano
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano S0.661731. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Violin & Piano
Título por Autor: Bach-Gounod: Ave Maria for Violin and Piano
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano - S0.661713. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
Para alto saxofone e órgão
Título por Autor: Ave Maria, Alto Saxophone & Organ
Instrumentação |
Órgão, Saxophone alto |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
Para flauta e ógão
Título por Autor: Ave Maria, Flute & Organ
Instrumentação |
Órgão, Flauta |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Dó (C) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Religioso/Cristão |
Ave Maria, Bach, C-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367591.html
para flauta e piano
Título por Autor: Ave Maria, Flute & Piano
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Dó (C) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, C-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367591.html
para alto saxofone e piano
Título por Autor: Ave Maria, Alto Saxophone & Piano
Instrumentação |
Piano, Saxophone alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
para oboe e piano
Título por Autor: Ave Maria, Oboe & Piano
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, G-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367595.html
para gravador e piano
Título por Autor: Ave Maria, Recorder & Piano
Instrumentação |
Piano, Gravador |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, G-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367595.html
Para oboé e órgão
Título por Autor: Ave Maria, Oboe & Organ
Instrumentação |
Órgão, Oboé |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Religioso/Cristão |
Ave Maria, Bach, G-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367595.html
Para saxofone tenor e piano
Título por Autor: Ave Maria, Tenor Saxophone & Piano
Instrumentação |
Piano, Saxofone Tenor |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para gravador e órgão
Título por Autor: Ave Maria, Recorder & Organ
Instrumentação |
Órgão, Gravador |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, G-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367595.html
Para trompete em C e órgão
Título por Autor: Ave Maria, Trumpet in C & Organ
Instrumentação |
Órgão, Trombeta |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
fpara trompeta em B e piano
Título por Autor: Ave Maria, Trumpet & Piano
Instrumentação |
Piano, Trombeta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
Para trompete em B e órgão
Título por Autor: Ave Maria, Trumpet & Organ
Instrumentação |
Órgão, Trombeta |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
para trombone e piano
Título por Autor: Ave Maria, Trombone & Piano
Instrumentação |
Piano, Trombone tenor |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para trombone e órgão
Título por Autor: Ave Maria, Trombone & Organ
Instrumentação |
Órgão, Trombone tenor |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para saxofone tenor e órgão
Título por Autor: Ave Maria, Tenor Saxophone & Organ
Instrumentação |
Órgão, Saxofone Tenor |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para viola e órgão
Título por Autor: Ave Maria, Viola & Organ
Instrumentação |
Órgão, Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Ré (D) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, D-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367592.html
para trompeta em C e piano
Título por Autor: Ave Maria, Trumpet in C & Piano
Instrumentação |
Piano, Trombeta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
para viola e piano
Título por Autor: Ave Maria, Viola & Piano
Instrumentação |
Piano, Viola |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Ré (D) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, D-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367592.html
For cello and guitar – score and parts
Título por Autor: Ave Maria (Cello and Guitar) - Score and Parts
Instrumentação |
Violoncelo, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Kevin Love |
Editora |
Kevin Love |
dificuldade |
Medium |
duração |
2'16 |
Gênero |
Clássico/Instrumental |
It's hard to imagine something more exquisite than Bach's Prelude No. 1, yet this is what Charles Gounod achieved when he composed an Ave Maria using the prelude as his foundation. Truly remarkable...
For flute and guitar – score and parts
Título por Autor: Ave Maria (Flute and Guitar) - Score and Parts
Instrumentação |
Flauta, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Kevin Love |
Editora |
Kevin Love |
dificuldade |
Medium |
duração |
2'11 |
Gênero |
Clássico/Instrumental |
It's hard to imagine something more exquisite than Bach's Prelude No. 1, yet this is what Charles Gounod achieved when he composed an Ave Maria using the prelude as his foundation. Truly remarkable...
para violino
Título por Autor: Ave Maria, Violin & Piano
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Dó (C) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, C-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367591.html
para violino e orgão
Título por Autor: Ave Maria, Violin & Organ
Instrumentação |
Órgão, Violino |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Dó (C) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, C-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367591.html
For violin and guitar – score and parts
Título por Autor: Ave Maria (Violin and Guitar) - Score and Parts
Instrumentação |
Violino, Guitarra clássica |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Dó (C) maior |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Kevin Love |
Editora |
Kevin Love |
dificuldade |
Medium |
duração |
2'16 |
Gênero |
Clássico/Instrumental |
It's hard to imagine something more exquisite than Bach's Prelude No. 1, yet this is what Charles Gounod achieved when he composed an Ave Maria using the prelude as his foundation. Truly remarkable...
Score for two performers (E flat major)
Título por Autor: Ave Maria (Es-Dur)
Instrumentação |
Piano, Clavicórdio, Piano elétrico, Cravo, Órgão, Harmônio, Mezzo-soprano, Contra Alto, Tenor, Barítono, Voz, Clavinete |
Composição para |
Dueto |
Tipo de composição |
Score for two performers |
chave |
Mi (E) bemol maior |
Editora |
Roman Jungegger |
dificuldade |
Medium |
duração |
2'50 |
Ano de composição |
1852 |
Gênero |
Religioso/Cristão |
Nach Es-Dur transponierte version des Gounod-Klassikers.
para violoncelo e piano - parte violoncelo
Título por Autor: Ave Maria, for Cello and Piano – Cello Part
Instrumentação |
Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Parte de solo |
chave |
Sol (G) maior |
Arrajador |
Gaston Borch |
Editora |
Oliver Ditson & Co. |
dificuldade |
Advanced |
para clarinete e piano
Título por Autor: Ave Maria, Clarinet & Piano
Instrumentação |
Piano, Clarinete |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
Para clarinete e órgão
Título por Autor: Ave Maria, Clarinet & Organ
Instrumentação |
Órgão, Clarinete |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Mi (E) bemol maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, Es-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-es-major-playalong-mp3-p-367593.html
para Violoncelo e piano
Título por Autor: Ave Maria, Cello & Piano
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para violoncelo e órgão
Título por Autor: Ave Maria, Cello & Organ
Instrumentação |
Órgão, Violoncelo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
para fagote e piano
Título por Autor: Ave Maria, Bassoon & Piano
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'25 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
Para fagote e órgão
Título por Autor: Ave Maria, Bassoon & Organ
Instrumentação |
Órgão, Fagote |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Parte de solo |
chave |
Fá (F) maior |
Arrajador |
Viktor Dick |
Editora |
Viktor Dick |
dificuldade |
Medium |
duração |
2'24 |
Ano de composição |
2011 |
Gênero |
Clássico/Instrumental |
Ave Maria, Bach, F-Major Mp3 PlayAlong http://www.xinxii.com/ave-maria-bach-gounod-major-playalong-mp3-p-367594.html
para Violoncelo e piano
Título por Autor: Ave Maria, for Cello and Piano
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers |
chave |
Sol (G) maior |
Arrajador |
Gaston Borch |
Editora |
Oliver Ditson & Co. |
dificuldade |
Advanced |
For Viola & Piano
Título por Autor: Bach-Gounod: Ave Maria for Viola and Piano
Instrumentação |
Piano, Viola |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano - S0.661659. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
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