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For Alto Clarinet & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet and Piano
Instrumentação |
Piano, Clarineta Alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Alto Flute and Piano
Instrumentação |
Piano, Alto Flute |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Alto Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Alto Sax and Piano
Instrumentação |
Piano, Saxophone alto |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Clarinet & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet and Piano
Instrumentação |
Piano, Clarinete baixo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bass Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Bass Flute and Piano
Instrumentação |
Piano, Flauta baixo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn and Piano
Instrumentação |
Piano, Barítono |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Bassoon & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Bassoon and Piano
Instrumentação |
Piano, Fagote |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Baritone Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax and Piano
Instrumentação |
Piano, Saxofone Barítono |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For English Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for English Horn and Piano
Instrumentação |
Piano, Corne Inglês |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Euphonium & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Euphonium and Piano
Instrumentação |
Piano, Eufónio |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Flute & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Flute and Piano
Instrumentação |
Piano, Flauta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For French Horn & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for French Horn and Piano
Instrumentação |
Piano, Trompa francesa |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Oboe and Piano
Instrumentação |
Piano, Oboé |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Oboe d'Amore & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore and Piano
Instrumentação |
Piano, Oboé d'amore |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Piccolo & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
Instrumentação |
Piano, Flauta piccolo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Soprano Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax and Piano
Instrumentação |
Piano, Saxofone soprano |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trumpet & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Trumpet and Piano
Instrumentação |
Piano, Trombeta |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Trombone & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Trombone and Piano
Instrumentação |
Piano, Trombone |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Tenor Sax & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax and Piano
Instrumentação |
Piano, Saxofone Tenor |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Cello & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Cello and Piano
Instrumentação |
Piano, Violoncelo |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Violin & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Violin and Piano
Instrumentação |
Piano, Violino |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
dificuldade |
Easy |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
For Viola & Piano
Título por Autor: Bach-Gounod: Ave Maria, Schwencke version for Viola and Piano
Instrumentação |
Piano, Viola |
Composição para |
Solo, Piano de Acompanhamento |
Tipo de composição |
Score for two performers, Partes |
Editora |
Jmsgu3 Publications |
duração |
4'50 |
This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.
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