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French Cancan from Parisiana for wind ensemble
Clássico/Sinfonia musical • 1953
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partituras completas, partes
Título por Autor: French Cancan from Parisiana for wind ensemble
Instrumentação |
Clarinete, Fagote, Oboé, Trompa francesa, Trombone, Trombeta, Tuba, Timbales, Clarinete baixo, Saxophone alto, Saxofone Tenor, Saxofone Barítono, Percussão |
Composição para |
Concert band |
Tipo de composição |
Partitura completa, Partes |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Paul Wehage |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
3'0 |
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score and complete parts
partitura completa
Título por Autor: French Cancan from Parisiana for wind ensemble - Score Only
Instrumentação |
Flauta, Flauta piccolo, Clarinete, Fagote, Oboé, Trompa francesa, Trombone, Trombeta, Tuba, Timbales, Saxophone alto, Saxofone Tenor, Percussão |
Composição para |
Concert band |
Tipo de composição |
Partitura completa |
movimento(s) |
1 para 1 de 1 |
Arrajador |
Paul Wehage |
Editora |
Musik Fabrik |
dificuldade |
Advanced |
duração |
3'0 |
In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of "Postcard from Paris"atmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a "divertissement choréographique,", she chose the popular form of the "French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score only
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