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For violin and cello
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Violino, Violoncelo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) bemol maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For violin and viola
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Violino, Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For violin and double bass
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Violino, Contrabaixo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
For flute and viola
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Flauta, Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and cello
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Flauta, Violoncelo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and double bass
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Flauta, Contrabaixo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and double bass
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Oboé, Contrabaixo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and cello
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Oboé, Violoncelo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and viola
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Oboé, Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and viola
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Clarinete, Viola |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
773620
For clarinet and cello
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Clarinete, Violoncelo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and double bass
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Clarinete, Contrabaixo |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and double bass
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Contrabaixo, Saxofone soprano |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and cello
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Violoncelo, Saxofone soprano |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and viola
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Viola, Saxofone soprano |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and bassoon
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Fagote, Saxofone soprano |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and bassoon
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Clarinete, Fagote |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Fá (F) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and bassoon
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Fagote, Oboé |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and bassoon
Título por Autor: Adagio, Op.1 No.1
Instrumentação |
Flauta, Fagote |
Composição para |
Dueto |
Tipo de composição |
Score for two performers, Partes |
chave |
Sol (G) maior |
Arrajador |
Nick Lacanski |
Editora |
theupperstaff |
dificuldade |
Medium |
duração |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
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