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Looking at the Sky
Clássico/Contemporâneo • 1996
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For flute, clarinet and piano
Título por Autor: Looking at the Sky for flute, clarinet and piano
Instrumentação |
Piano, Flauta, Clarinete |
Composição para |
Trio |
Tipo de composição |
Partitura completa |
Editora |
Oleksandr (Alexander) Shchetynsky (Shchetinsky) |
dificuldade |
Difficult |
duração |
10'0 |
Sound arises from silence... Aleatoric combination of separated tones, air noise, clicks of the keys and other "marginal" sounds... The utmost relieved texture, extremely delicate and soft... Three instruments play independently one from the other; each part consists of several sections performed in any order (new in every current performance). The piece has no climax, its structure resembles extended chord, the tones of which are articulated in different ways. Final tritone (pizzicato on the piano strings) introduces tones that were not utilized in the previous sections of the piece. Due to this, the whole work resembles the harmonic cadence - melancholic "hello" to the great archetype of classical music. The mood of the piece is deep static meditation.
For flute, bassoon and piano
Título por Autor: Looking at the Sky for flute, bassoon and piano
Instrumentação |
Piano, Flauta, Fagote |
Composição para |
Trio |
Tipo de composição |
Partitura completa |
movimento(s) |
1 para 1 de 1 |
Editora |
Oleksandr (Alexander) Shchetynsky (Shchetinsky) |
dificuldade |
Advanced |
duração |
7'0 |
Ano de composição |
2003 |
Gênero |
Clássico/Instrumental |
Sound arises from silence... Aleatoric combination of separated tones, air noise, clicks of the keys and other "marginal" sounds... The utmost relieved texture, extremely delicate and soft... Three instruments play independently one from the other; each part consists of several sections performed in any order (new in every current performance). The piece has no climax, its structure resembles extended chord, the tones of which are articulated in different ways. Final tritone (pizzicato on the piano strings) introduces tones that were not utilized in the previous sections of the piece. Due to this, the whole work resembles the harmonic cadence - melancholic "hello" to the great archetype of classical music. The mood of the piece is deep static meditation.
For flute, violin and piano
Título por Autor: Looking at the Sky for flute, violin and piano
Instrumentação |
Piano, Flauta, Violino |
Composição para |
Trio |
Tipo de composição |
Partes |
movimento(s) |
1 para 1 de 1 |
dificuldade |
Difficult |
duração |
10'0 |
Ano de composição |
2021 |
Gênero |
Clássico/Instrumental |
Sound arises from silence... Aleatoric combination of separated tones, air noise, clicks
of the keys and other "marginal" sounds... The utmost relieved texture, extremely delicate and
gentle... Three instruments play independently one from the other; each part consists of
several sections performed in any order (new in every current performance). The piece has no
climax, its structure resembles extended chord, the tones of which are articulated in different
ways. Final tritone (pizzicato on the piano strings) introduces tones that were not utilized in
the previous sections of the piece. Due to this, the whole work resembles the harmonic
cadence – melancholic "hello" to the great archetype of classical music. The mood of the
piece is focused static meditation.
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